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Jazz Articles about Sam Braysher


About Sam Braysher

23

Album Review

Linus Eppinger & Sam Braysher: A Sinner Kissed an Angel

Read "A Sinner Kissed an Angel" reviewed by Jack Bowers


Once past its rather curious title, there is much to admire and applaud on the debut recording by electric guitarist Linus Eppinger and alto saxophonist Sam Braysher's quartet, not the least of which is the group's tendency to swing at any tempo and in every format and to do so with a mininum of bombast or pretension. Based on the result alone, it is hard to believe that the foursome had been together as a working group for ...

9

Album Review

Sam Braysher: That's Him: The Music Of Kurt Weill

Read "That's Him: The Music Of Kurt Weill" reviewed by Chris May


On his first two albums under his own name, London-based alto saxophonist Sam Braysher focused on the Great American Songbook. On this, his third album, he takes a sideways look at mid-twentieth century American popular music through the work of German-born, naturalized American composer, Kurt Weill. Braysher, whose warm tone and consonant and inquisitive approach to harmony is attracting growing attention on the British jazz scene, is accompanied by pianist Matyas Gayer, double bassist Dario Di Lecce and drummer Steve ...

3

Album Review

Sam Braysher Trio: Dance Little Lady, Dance Little Man

Read "Dance Little Lady, Dance Little Man" reviewed by Thomas Fletcher


It was back in 2017 when we were first introduced to Sam Braysher with his debut release Golden Earrings (Fresh Sound New Talent), performed alongside pianist, Michael Kanan and featuring a collection of reinterpreted songs from the Great American Songbook. Braysher is now following his own footsteps by releasing a trio album with a similar theme. The London-based alto saxophonist sees himself line up with Catalan percussionist Jorge Rossy, most recognisable for his spell with the Brad Mehldau ...

2

Album Review

Sam Braysher: Golden Earrings

Read "Golden Earrings" reviewed by Bruce Lindsay


Mostly these days aspiring jazz musicians hear the songs of the American Songbook as “jazz standards," their melodies taken as jumping-off points for improvisational flights of fancy that move the tunes far beyond their earlier incarnations as pop tunes or Broadway showstoppers. It's a distinction that the young English altoist Sam Braysher makes in the liner notes to his debut album Golden Earrings, recorded in collaboration with pianist Michael Kanan. The duo also took note of it when preparing to ...


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