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Jazz Articles about Ronnie Scott

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Album Review

Wes Montgomery: The NDR Hamburg Studio Recordings

Read "The NDR Hamburg Studio Recordings" reviewed by Chris May


Recorded in spring 1965, during Wes Montgomery's sole European tour, The NDR Hamburg Studio Recordings presents the guitarist as part of an all-star international octet assembled for a one-off appearance on German television station NDR. The programme was part of a series presenting musicians who did not regularly work together in informal “rehearsal" performances. Montgomery's tour, on which he appeared with both his own quartet and local rhythm sections, has been well documented on official and unofficial recordings. But this ...

323
London Calling

Ronnie Scott's and the London Scene

Read "Ronnie Scott's and the London Scene" reviewed by Nick Catalano


Historically, the London jazz scene has played an important part in the growth of the music and its appreciation although most of that importance has to do with English performers and writers and less with jazz venues. For decades, when you went to London, you thought of only one club--Ronnie Scott's. And even though there are several new boites about the city, a recent visit revealed that, despite the new establishments, very few Londoners and visitors out for a jazz ...

149
Album Review

Ronnie Scott: Birth Of A Legend

Read "Birth Of A Legend" reviewed by David Rickert


Ronnie Scott stares out at you from the cover shot on Birth of a Legend with a confident glare, as if to dare you to suggest that the Brits couldn't play as well as their American counterparts overseas. This two-disc set of the saxophonist's various musical exploits indeed proves that across the pond in the forties and fifties were a small group of musicians who could play just as well, and sometimes better on a good night, than their idols. ...

167
Album Review

Ronnie Scott: Birth Of A Legend

Read "Birth Of A Legend" reviewed by Nic Jones


Ronnie Scott's role as the owner of Britain's longest surviving jazz club has perhaps distracted attention from his work as a musician, and this situation was hardly helped by the fact that he wasn't recorded that often in his lifetime. This set goes some way towards rectifying the first situation, but at the same time it serves also as a primer for the way in which bebop was disseminated in the later 1940s and 1950s.

In a sense there is ...


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