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Gerry Mulligan: Nocturne
by Alberto Bazzurro
Già edito nel 2005 con un brano in meno (il conclusivo “Rico Apollo"), questo doppio live colto in quel di Bologna nell'aprile 1992 ci tramanda un Gerry Mulligan in ragguardevole forma, lui come del resto il trio che lo affianca, capeggiato (se possiamo dire così) da un pianista dell'affidabilità di Harold Danko. Tredici i brani complessivi, per oltre un'ora e mezza di musica piuttosto tirata (oltre che ottimamente incisa e oggi rimasterizzata), tutti a firma del baritonista ...
Continue ReadingGerry Mulligan: Nocturne
by Jack Kenny
This album might go a small way to setting a record straight. Gerry Mulligan has often been underrated. Despite the critical acclaim and historical significance later attributed to Miles Davis for his groundbreaking work on the Birth of the Cool sessions, a closer examination of the repertoire reveals the profound influence of Mulligan's writing. It was Gerry Mulligan who arguably contributed many of the compositions and arrangements that defined the project's innovative sound. His compositional voice, characterized by a lighter, ...
Continue ReadingBill Mays Trio: Autumn Serenade
by Dan Bilawsky
In Autumn Serenade, Bill Mays gifts us a bountiful harvest of seasonally-bound beauties. This 40th leader date from the eminent pianist finds him fronting a trio with two longtime colleagues--bassist Dean Johnson and drummer Ron Vincent--and welcoming vocalist Judy Kirtley and producer/guitarist Matt Balitsaris for guest appearances on a single track. Together, all parties join up for a musical journey filled with reflection and romance. Opening on the John Coltrane/Johnny Hartman-associated “Autumn Serenade," Mays makes good on ...
Continue ReadingSteve Million: What I Meant to Say
by Richard J Salvucci
Steve Million, thoughtful, well established, and prolific, has recorded another elegant outing to complement his Jazz Words (Origin, 2021). No vocalist this time, but some old friends from his Kansas City days who combine to produce a wonderfully reflective entry. Million's compositions--and they are all his--are stylish and distinctive. “Open the Book" is an appropriate title for a sonorous and thoughtful entrance, although named for his daughter Peige, at the time of writing, a year old, ...
Continue ReadingSteve Million: What I Meant to Say
by Jack Bowers
A word that springs to mind when listening to pianist Steve Million's quartet is “tasteful." If the music sounds congenial as well, that is probably because “four friends" are performing it. Two of them (guitarist Steve Cardenas, drummer Ron Vincent) were among the Kansas City-based friends who comprised Million's quartet in that city before he moved to New York in 1981; the “new friend" is bassist John Sims who started gigging with the group shortly before What I Meant to ...
Continue ReadingDavid Lahm: More Jazz Takes on Joni Mitchell
by Glenn Astarita
More Jazz Takes on Joni Mitchell signifies pianist/composer David Lahm’s follow up effort to Jazz Takes on Joni Mitchell. Once again, Lahm integrates a portion of the folk-rock singer’s body of work into the jazz genre while receiving sturdy and sympathetic support from saxophonists Roger Rosenberg and Vincent Herring along with the estimable trumpeter, Randy Brecker.
With this release, Lahm continues to delve into Ms. Mitchell’s recorded legacy while contributing three of his own compositions to this hearty mix. Herring ...
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