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Hank Mobley: The Complete Hank Mobley Blue Note Sessions 1963-70
by C. Andrew Hovan
The music world has changed considerably since Michael Cuscuna and Charlie Lourie founded their boutique reissue label Mosaic Records back in 1983. From its inception, vinyl was still the preferred format, shortly to be overtaken by the popularity of the compact disc. At the cusp of vinyl's recent resurgence, Mosaic briefly got back into that format only to find themselves on the brink of closing up shop. Fortunately, the powers that be have forged on and recent CD boxed sets ...
Continue Reading2019 Detroit Jazz Festival
by C. Andrew Hovan
Detroit Jazz Festival Hart Plaza Detroit, Michigan August 30-September 2, 2019 According to the official count, the 40th edition of the largest free jazz festival in North America drew a record crowd numbering some 325,000. Boasting four stages as part of the festival footprint, there seemed to be a reduction in the total number of performances this year. Furthermore, even a cursory look at the schedule revealed more than a fair share of names that ...
Continue ReadingRon Carter: The Paragon of Bass Virtuosity
by Jim Worsley
Some half a century ago, iconic bassist Ron Carter had already dynamically impacted the jazz world with his advanced rhythmic cadences and his artistic vision with the second great Miles Davis quintet. The sumptuous and indelible mark that Carter and his bandmates left on jazz history is well-documented. An educated, articulate and determined man, Carter's journey led to countless groundbreaking recordings and live performances. His intuitive and brilliantly conceived projects as a leader have paved a career that has enlightened ...
Continue ReadingRon Carter Quartet At Regattabar
by Peter Jurew
Ron Carter Quartet Regattabar Cambridge, MA February 22, 2019 You are the “World's Greatest Jazz Bassist," as a sign used to say at The Knickerbocker Saloon in New York City, where you and Cedar Walton held forth for many years. You have been at the top of your profession for sixty years, becoming the most recorded bassist in history along the way. Your bottom end musical offspring abound: since Kennedy was president, ...
Continue ReadingDavid Hazeltine: The Time Is Now
by David A. Orthmann
David Hazeltine's thirty-fourth date as a leader juxtaposes his strengths as a composer, interpreter of standard material, improviser, as well as the capacity to converse and interact with his peers. There's something magical about the ways in which the pianist employs these skills, avoiding emphasizing one at the expense of the others, and in doing so fashioning tracks that are balanced, agreeable, incisive, and substantive. It's fascinating to consistently hear him chart a middle course, melding emotion and intellect while ...
Continue ReadingRon Carter: Still Searching for the Right Notes
by Rob Garratt
"People from newspapers and magazines always ask me two things," Ron Carter tells a reverent crowd from a stage in suburban Hong Kong. “What was it like playing with Miles Davis? And why am I still doing this?" He answers the latter enquiry by pointing left and right simultaneously at his two diligent sidemen, pianist Donald Vega and guitarist Russell Malone, to rapturous applause. I had the chance to interview Carter around a week earlier, by phone from ...
Continue ReadingRon Carter: Antonin Dvorak: New World Symphony
by William Ellis
"My record of import is one I heard in 1962 when I heard the melody played by Yusef Lateef on oboe. I later found out the record he made on this disc was called “Goin' Home" which is one of the movements from a Dvorak Symphony. So I went out and bought the disc—that would have to be done by Leonard Bernstein and The New York Philharmonic when they do the four movements of the Dvorak New World Symphony—and among ...
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