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154

Album Review

Mike Holober and the Gotham Jazz Orchestra: Thought Trains

Read "Thought Trains" reviewed by John Kelman

by John Kelman

Originally recorded in '96, years before Mike Holober's début small group recording Canyon (Sons of Sound, '03), Thought Trains is only now seeing the light of day, but it continues to assert the pianist/composer/arranger as a dominant new force on the New York scene. And while the larger ensemble context of Thought Trains limits the amount of spontaneous interplay that was prevalent on Canyon , it makes up for that kind of unrestrained exploration with sharp arrangements that make full ...

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306

Album Review

Mike Holober and the Gotham Jazz Orchestra: Thought Trains

Read "Thought Trains" reviewed by Dan McClenaghan

by Dan McClenaghan

There's something about trains, the metronomic, ringing clink-clack of metal wheels on metal track, the fanfare of the whistle, the rhythm and rumble of the coaches being propelled across a countryside. Duke Ellington loved trains, in a day when he and the band used the form of transportion to get from gig to gig. Think of “Take the A Train" and “Track 360." Pianist/arranger/composer Mike Holober loves trains, too, as his second outing as leader attests--the big band set Thought ...

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204

Album Review

Donald Harrison: Heroes

Read "Heroes" reviewed by Jeff Stockton

by Jeff Stockton

Ron Carter, one of altoist Donald Harrison's heroes and the primary bassist on this recording, makes the point that Harrison comes from New Orleans, but doesn't insist that he does. Harrison approaches his tradition with a pure heart, and from his apprenticeship with Art Blakey and the Jazz Messengers in the mid '80s through his own leadership in the '90s, he has evolved an historical idiom into an absolutely contemporary, individual style. The title track kicks things off ...

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840

Extended Analysis

Miles Davis - Seven Steps: The Complete Columbia Recordings, 1963-1964

Read "Miles Davis - Seven Steps: The Complete Columbia Recordings, 1963-1964" reviewed by Colin Fleming

by Colin Fleming

Seven Steps : Review #1 | Review #2 | Review #3 | Discuss | Poll

Miles Davis Seven Steps: The Complete Columbia Recordings Of Miles Davis, 1963-1964 Columbia Legacy 2004

One of the more undervalued phases in Miles Davis' career, the years 1963-64 are typically deemed a fallow period, marked by a few mildly inventive studio creations and scattershot radio broadcasts. Davis' transformations were often stylistic, but this collection puts the bulk ...

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937

Extended Analysis

Miles Davis - Seven Steps: The Complete Columbia Recordings, 1963-1964

Read "Miles Davis - Seven Steps: The Complete Columbia Recordings, 1963-1964" reviewed by Jim Santella

by Jim Santella

Seven Steps : Review #1 | Review #2 | Review #3 | Discuss | Poll

Miles Davis Seven Steps: The Complete Columbia Recordings Of Miles Davis, 1963-1964 Columbia Legacy 2004

Seven discs paint a pretty good picture of the sound that Miles Davis gave us back then.

Some of the master's mid-'60s material has not been previously issued. As had been the case time and again, the Miles ...

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883

Extended Analysis

Seven Steps: The Complete Columbia Recordings, 1963-1964

Read "Seven Steps: The Complete Columbia Recordings, 1963-1964" reviewed by John Kelman

by John Kelman

Eagerly anticipated, Seven Steps: The Complete Columbia Recordings of Miles Davis 1963-1964 documents the emergence of Miles' second great quintet, featuring saxophonist Wayne Shorter, pianist Herbie Hancock, bassist Ron Carter and drummer Tony Williams. It demonstrates, over the course of seven discs and seven hours, how critical each member of that quintet was. As the group coalesces over a period of two years it's tangible how everything falls into place, like a set of tumblers on a complicated lock.

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234

Album Review

Donald Harrison: Heroes

Read "Heroes" reviewed by John Kelman

by John Kelman

Stripping down from his quintet début on Nagel Heyer, '02's Real Life Stories , saxophonist Donald Harrison teams up with bassist Ron Carter and drummer Billy Cobham, two of his personal heroes. Having an intermittent history with both musicians, Harrison obviously felt that the combination would provide the perfect combination of groove, freedom and exploration. The result is a mainstream set that purposefully raises the bar for Harrison, forcing him to think outside the box and deliver one of his ...

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