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McCoy Tyner: Fly With The Wind

by Glenn Astarita
Upon its release on LP in 1976, Fly With the Wind quickly became a significant part of pianist McCoy Tyner's growing canon. Played seemingly endlessly by fans, it's an album rarely cited as a classic from the '70s, since mainstream jazz was on the comeback trail from the difficult '60s. Nonetheless, this 24-bit remaster is one of many reissues emanating from legendary producer Orrin Keepnews' extensive Keepnews Collection.
Along with the original artwork and liners, Keepnews adds several ...
Continue ReadingJoe Henderson: Power to the People

by Tom Greenland
Joe Henderson enjoyed widespread popularity only late in his career, when his cover albums for Verve achieved high (for jazz) sales figures, but since the early '60s he had been making excellent records, both as a sideman and a leader. Here at last is 1969's Power to the People, one of his best recordings made for Orrin Keepnews' Milestone label, previously available only as part of the boxed set The Milestone Years. Power to the People features ...
Continue ReadingRon Carter: Dear Miles,

by Chris M. Slawecki
Even considering Ron Carter, the bassist who rode through many mercurial musical styles, albums, and personas with Davis through the 1960s and '70s, with admitted skepticism, the question is asked: What kind of message to the late, great Miles Davis could Dear Miles be without a trumpet or other horn player in the ensemble?It features all the glorious power and articulation of Carter's legendary upright bass as he leads drummer Payton Crossley, percussionist Roger Squitero ...
Continue ReadingRon Carter: Dear Miles,

by Jim Santella
With his tribute album to Miles Davis, bassist Ron Carter waxes nostalgic about the five years that he spent with the trumpeter's straight-ahead quintet, and about the worldwide mentoring that Davis provided for years afterward. Carter, who just turned seventy, remains one of the most recorded jazz bassists in history. From his start with Eric Dolphy and Chico Hamilton in 1959 through his stints with Davis, his tours as leader of his own bands and the numerous encounters that he's ...
Continue ReadingJoe Henderson: Power To the People

by David Rickert
The late sixties were an exciting time for jazz, although not a lucrative one. Faced with a declining market share due to the popularity of rock music, jazz musicians were forced to find an audience by pursuing new avenues in composition and instrumentation. Joe Henderson, a much beloved player for the Blue Note label was dropped in the late sixties. Orrin Keepnews, who certainly could recognize great talent when he saw it, signed him to his newly ...
Continue ReadingRon Carter: Dear Miles

by John Barron
There certainly hasn't been a shortage of artists recording tributes to Miles Davis since the trumpeter's death in 1991. The list includes contributions as diverse as Benny Golson's I Remember Miles (Milestone, 1992), Henry Kaiser and Wadada Leo Smith's Yo Miles! (Shanachie, 1998) and Cassandra Wilson's Traveling Miles (Blue Note, 1999). Almost forty years since parting ways with the iconic jazz legend, heavyweight bassist Ron Carter has decided to throw his name in the hat with Dear Miles, a swinging ...
Continue ReadingRon Carter: Dear Miles,

by J Hunter
The fact that the late iconic trumpeter Miles Davis still generates controversy is a real indicator of his earth-shaking impact on the genre. What's your favorite Miles debate: Acoustic Miles, or Electric Miles? Kind of Blue (Legacy, 1959), or Bitches Brew Legacy, 1969)? Bill Evans, or Bill Evans? Tutu: An affront to all that's good and true, or just a really bad career move?As one-fifth of the second great Miles Davis Quintet, bassist Ron Carter had a ringside ...
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