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About Ron Carter

2

Album Review

David Hazeltine: The Time Is Now

Read "The Time Is Now" reviewed by David A. Orthmann

by David A. Orthmann

David Hazeltine's thirty-fourth date as a leader juxtaposes his strengths as a composer, interpreter of standard material, improviser, as well as the capacity to converse and interact with his peers. There's something magical about the ways in which the pianist employs these skills, avoiding emphasizing one at the expense of the others, and in doing so fashioning tracks that are balanced, agreeable, incisive, and substantive. It's fascinating to consistently hear him chart a middle course, melding emotion and intellect while ...

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15

Interview

Ron Carter: Still Searching for the Right Notes

Read "Ron Carter: Still Searching for the Right Notes" reviewed by Rob Garratt

by Rob Garratt

"People from newspapers and magazines always ask me two things," Ron Carter tells a reverent crowd from a stage in suburban Hong Kong. “What was it like playing with Miles Davis? And why am I still doing this?" He answers the latter enquiry by pointing left and right simultaneously at his two diligent sidemen, pianist Donald Vega and guitarist Russell Malone, to rapturous applause. I had the chance to interview Carter around a week earlier, by phone from ...

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6

One LP

Ron Carter: Antonin Dvorak: New World Symphony

Read "Ron Carter: Antonin Dvorak: New World Symphony" reviewed by William Ellis

by William Ellis

"My record of import is one I heard in 1962 when I heard the melody played by Yusef Lateef on oboe. I later found out the record he made on this disc was called “Goin' Home" which is one of the movements from a Dvorak Symphony. So I went out and bought the disc—that would have to be done by Leonard Bernstein and The New York Philharmonic when they do the four movements of the Dvorak New World Symphony—and among ...

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3

In Pictures

New Orleans Jazz and Heritage Festival 2018

Read "New Orleans Jazz and Heritage Festival 2018" reviewed by Mark Robbins

by Mark Robbins

Yes, Virginia, there is jazz at the New Orleans Jazz and Heritage Festival. From it's inception in 1970, George Wein, mastermind of the Newport Jazz Festival and the Newport Folk Festival, created a festival that was indigenous with New Orleans. Whether it was the music, food, arts and crafts everything was New Orleans. That first year around 350 people were entertained by Mahalia Jackson, Duke Ellington, Pete Fountain, Al Hirt, Clifton Chenier, Fats Domino, The Meters, The Preservation Hall Band ...

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4

SoCal Jazz

Ron Carter: A Clew of Worms

Read "Ron Carter: A Clew of Worms" reviewed by Jim Worsley

by Jim Worsley

So the saying goes, the early bird gets the worm. Occasionally, if one is so fortunate, you can get a whole lot more. From the beginning just knowing that I was going to have the opportunity to see and hear Ron Carter play was about seeing a legend. Of course you hope to hear some good live music. But it isn't every day that you are in the presence of a true jazz icon. Now 80 years old, ...

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5

Album Review

Ron Carter Quartet & Vitoria Maldonado: Brasil L.I.K.E

Read "Brasil L.I.K.E" reviewed by Dan Bilawsky

by Dan Bilawsky

The road that connects Brazilian music and jazz--the essential thematic nexus on this collaborative venture that brings bassist Ron Carter (and his quartet), vocalist Vitoria Maldonado, Ruria Duprat's Brasilian Orchestra, and a handful of guest soloists into the same line of thinking--has always been a two way street, as both forms benefit and borrow from one another. Those on the jazz side have often found new harmonic angles to explore, gently undulating rhythms to coast upon, and beautiful songs built ...

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11

Live Review

2016 Detroit Jazz Festival

Read "2016 Detroit Jazz Festival" reviewed by C. Andrew Hovan

by C. Andrew Hovan

2016 Detroit Jazz Festival Hart Plaza Detroit, Michigan September 2-4, 2016 The staging of North America's largest free jazz festival must indeed be some kind of massive undertaking. In the years since artistic director Chris Collins has taken the reins of the festival, there have been many changes, some for the better and some for the worst. There certainly has been a more concerted effort to garner donors and folks willing to pay the big ...

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