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Album Review

Gerry Gibbs Thrasher Dream Trio: Live In Studio

Read "Live In Studio" reviewed by Angelo Leonardi


È possibile che il nome di questa formazione e il suo stesso leader non vi dicano molto ma guardate chi sono gli altri protagonisti e gli ospiti coinvolti. Il pianista Kenny Barron e il bassista Ron Carter completano il trio mentre si aggiungono Roy Hargrove in quattro brani e Cassandra Wilson in tre. Senza esagerare è uno dei dischi più seducenti che ho ascoltato negli ultimi anni con un repertorio di gran classe che spazia da temi di Burt Bacharach ...

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Album Review

Letizia Gambi: Blue Monday

Read "Blue Monday" reviewed by James Nadal


As the world continues to shrink--musically speaking of course--the melding of American jazz with Mediterranean melody is another spin cycle that makes appreciation of this evolving art form so interesting. With high expectations, Neapolitan vocalist Letizia Gambi, which hails from a theatrical family, and has extensive jazz education, releases Blue Monday, an exuberant and ambitious production that takes jazz on a romantic Italian holiday. After a collaboration with drummer extraordinaire Lenny White in 2009 led to “Introducing Letizia ...

Album Review

Ron Carter and the WDR Big Band: My Personal Songbook

Read "My Personal Songbook" reviewed by Angelo Leonardi


Ron Carter non è solo un protagonista indiscusso nella storia del contrabbasso ma anche un eccellente compositore che, a dispetto dei 3000 album registrati, non ne ha mai dedicato uno per intero ai suoi brani. Erano anni che il produttore Lucas Schmid voleva realizzare questo progetto ma solo nel novembre 2013, dopo una lunga conversazione al festival portoghese di Guimaraes, ha convinto Carter a impegnarsi in prima persona, in veste di ospite della WDR Big Band diretta da ...

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Album Review

Gerry Gibbs Thrasher Dream Trio: Live In Studio

Read "Live In Studio" reviewed by Dan Bilawsky


Drummer Gerry Gibbs has been living a recurring dream with slight variations for the past few years. In December of 2012, he laid down tracks with two of his idols--the legendary Ron Carter and the estimable Kenny Barron--and dubbed their group the Thrasher Dream Trio. The eponymous debut from that band, featuring fifteen tracks recorded at those sessions, was, not surprisingly, a strong and classy affair filled with standards, some originals, and other jazz-friendly fare, such as Stevie Wonder's “Don't ...

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Live Review

Ron Carter Golden Striker Trio at Jazzfest Gronau 2014

Read "Ron Carter Golden Striker Trio at Jazzfest Gronau 2014" reviewed by Phillip Woolever


Ron Carter Golden Striker Trio Evangelist Stadtkirche Jazzfest Gronau Gronau, Germany April 27, 2014 Ron Carter resumed his casual, “guy with the microphone" demeanor as bandleader for this afternoon's “church meeting," but brought a confident intensity to this conspicuously jazz conscious German community on the Netherlands border. A large, enthusiastic crowd at Evangelist Stadtkirche was well aware that whatever role Carter takes in an ensemble, his majestic upright bass stands as one ...

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Extended Analysis

Gerry Gibbs Thrasher Dream Trio

Read "Gerry Gibbs Thrasher Dream Trio" reviewed by Chris M. Slawecki


Drummer, composer and bandleader Gerry Gibbs--son of renown vibes player and bandleader Terry Gibbs--grew up playing with musical legends from jazz traditionalists such as Clark Terry and James Moody, to Gary Bartz and Sam Rivers and other more adventurous conceptualists, to Parliament-Funkadelic and other artists who skirt the fringes in between. Gibbs' exceptionally dexterous work with pianists includes time spent in performance with bands led by Cedar Walton, Danilo Pérez, Kenny Kirkland and Brad Mehldau. Teamed here with two extraordinary ...

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Album Review

Kenny Barron/Gerry Gibbs/Ron Carter: Gerry Gibbs Thrasher Dream Trio

Read "Gerry Gibbs Thrasher Dream Trio" reviewed by Dan Bilawsky


When drummer Gerry “The Thrasher" Gibbs was a youngster, growing up in California in the '70s, he idolized bassist Ron Carter and pianist Kenny Barron. Of course, neither man played his instrument of choice, but he recognized the greatness that emanated from both players and he viewed them as exemplars of what's right and good in jazz. He sought out and savored every album that he could find that each man appeared on and dreamt of playing with them; that ...


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