Jazz Articles about Robert Kyle

About Robert Kyle

Album Review

Betty Bryant: Nothin' Better To Do...

Read "Nothin' Better To Do..." reviewed by Pierre Giroux

by Pierre Giroux
January 24, 2026

Betty Bryant's nothin' better to do.. radiates the natural confidence of a seasoned club date, where the music speaks for itself. A pianist, singer, and composer whose artistry has been shaped by decades of experience rather than trends (at the impressive age of 96), Bryant brings a storyteller's instinct and a deep respect for melody to this session. Producer Robert Kyle, himself a seasoned saxophonist and flautist, places her in a setting that is both intimate and expansive, featuring a ...

Album Review

Chad Edwards: Wyoming Roads

Read "Wyoming Roads" reviewed by Nicholas F. Mondello

by Nicholas F. Mondello
June 30, 2024

In his performing career, pianist Chad Edwards has probably heard more wisecracks and quips about his actually being a retired rocket scientist than there are stars in the Cosmos. However, rest assured--as he has done in his parallel and now formal career, and is presented in Wyoming Roads--his keyboard and compositional talents certainly stand on their own. It is a fine nine track collection of five Edwards' originals and four Great American Songbook classics, with the pianist backed up by ...

Album Review

Betty Bryant: Lotta Livin'

Read "Lotta Livin'" reviewed by Jack Bowers

by Jack Bowers
February 8, 2024

First, double-check to make sure there aren't any misprints. No, it's an honest-to-goodness fact that Betty Bryant--who sings, plays piano, wrote four of the nine numbers and arranged half a dozen on her fourteenth album--really was almost ninety-four years old when Lotta Livin' was recorded in 2023. Bryant's rough and edgy voice is remarkably strong and steady, while her piano playing simply defies any generational labels. As a vocalist, no note seems out of her reach, and ...

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Album Review

Robert Kyle: Blue Winds

by Dave Nathan
February 1, 2001

Sax payer Robert Kyle's third album continues in the mode of his second in that all the compositions on the set are his own. They are the standard lot, a couple of blues, some ballads and a swinger or two. All are listenable, but not all are especially memorable. Two exceptions are the lovely ballads “Three Angels" and “Sweet Life" where Kyle's similarity to the playing of tenor man Ernie Watts is especially apparent. Another fine track is the swinging ...