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About Rickey Woodard
Marina Pacowski: New Jazz Standards, Volume 7
by Jack Bowers
To those who know--really know--their breathtaking jazz trumpeters, Carl Saunders was definitely in a class by himself. Simply put, there was nothing Saunders could not do on the horn, from nailing seemingly insurmountable high notes to creating intricate and mind- blowing solos, all the while making it seem so effortless that many listeners thought he must have found and harnessed a secret weapon of which others were unaware. What many of his admirers did not know was ...
Continue ReadingPeter Smith: Smitty Straightens Out
by Thierry De Clemensat
Smitty Straightens Out captivates from the very first notes, drawing the listener into a world where the composer and pianist masterfully channels his years of experience into a singular, compelling and spectacular style. One can already sense the power of its live performance, as the artist's greatest strength undoubtedly lies in the sheer effectiveness of his arrangements. Peter Smith served as Associate Music Director for two seasons of The Four on Fox, working directly with contestants alongside musical directors Rickey ...
Continue ReadingAmber Weekes: A Lady With a Song
by Katchie Cartwright
Irving Berlin wrote “Suppertime" (aka “Supper Time") for As Thousands Cheer (1933), a topical revue with several stars and many musical numbers. Ethel Waters introduced it, making history as the first African American woman to star on Broadway. Berlin wrote it specifically for Waters, who also sang his lighthearted “Heat Wave" in the show. “Suppertime" has a more serious story, told in the voice of a woman who--while making dinner--must find a way to tell her children that ...
Continue ReadingAmber Weekes: A Lady With a Song
by Richard J Salvucci
It is difficult to know exactly what to do with a recording like this. Amber Weekes is a very good singer, and from the outset, she calls this a “celebration" of Nancy Wilson, not an imitation or a recreation. You can hear Wilson's influence throughout: her articulation, occasional staccato delivery, deep sincerity and emotional heft come through in Weekes' recording. And a good recording it is, make no mistake. Anyone who enjoyed Wilson, or any good female vocalist, will enjoy ...
Continue ReadingDoug MacDonald: Big Band Extravaganza
by Richard J Salvucci
Some reviewers have been known to complain that contemporary big bands can do most anything but swing. Like all generalizations, there is some merit to the observation. But, like all generalizations, the occasional exception falsifies it. Looking for a big band that pushes all the right buttons? Look no further. Doug MacDonald's “desert jazz" band is an extremely good one. While it might be difficult to make claims about the novelty of what is on offer, the band is tight, ...
Continue ReadingDoug MacDonald: Big Band Extravaganza
by Jack Bowers
Pardon the superlative, but what a terrific album! Extravanga marks the debut of guitarist Doug MacDonald's seventeen-member Jazz Orchestra, and he has guaranteed that it swings with gusto by writing nine perceptive and luminous charts that are sure to bring out the best in any ensemble, especially one as well-equipped as this. During his decades-long career as one of the West Coast's foremost guitarists, MacDonald has recorded fifteen albums with groups ranging from solo to duo, quartet to brass and ...
Continue ReadingThe Scott Whitfield Jazz Orchestra West: Postcards from Hollywood
by Jack Bowers
While many people have been excited or enraptured by the music scores accompanying Hollywood's most beloved films, few know (or perhaps even care) who wrote them. That's a shame, as these composers (and their contemporaries) were musical trailblazers whose names should be enshrined forever in the annals of artistic brilliance. One who does care is composer/arranger Scott Whitfield who has dedicated the latest album by his Jazz Orchestra West, Postcards from Hollywood, to their remarkable (and too-often overlooked) legacy.
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