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About Rent Romus' Lords of Outland

21

Album Review

Rent Romus' Lords of Outland: 25 years under the mountain

Read "25 years under the mountain" reviewed by Glenn Astarita


This Northern California powerhouse unit led by multi-woodwind ace Rent Romus commemorates 25-years in the business with a hard-hitting acoustic-electric jaunt featuring the core rhythm section and new addition, guitarist and violaist, Alex Cohen. Over the years, the collective has enjoyed a refreshing progression of shifting personnel. However, this album is grounded in avant-garde jazz fusion and free-form improvisation, where the artists enjoy ample space to engage in tumultuous dialogues and fluctuating currents during these energized performances. The ...

3

Album Review

Rent Romus' Lords of Outland: Thee Unhip

Read "Thee Unhip" reviewed by Glenn Astarita


Thee Unhip is a poem by band member, trumpeter/electronics artist C.J. Borosque. The seasoned and thoroughly hip band that was founded by woodwind ace Rent Romus in 1984 is a collaboration between West Coast experimental jazz record labels, Nine Winds and Edgetone. Exciting, raucous, slightly spaced-out and wily, the band has quite a bit of fun with the expressionistic side of jazz and improvisation. However, the quartet's proving ground is based on laudable technical faculties and intriguing song-forms, where bristling ...

145

Album Review

Rent Romus' Lords of Outland: Avatar in the Field

Read "Avatar in the Field" reviewed by AAJ Staff


Among the free set, Albert Ayler tributes have become a sort of rite of passage. It's a fitting setting to elaborate the fundamentally spiritual aspects of the music. Witness Peter Brotzmann's '94 Die Like A Dog Trio, which reminded the world that his musical conception extends far beyond screeches and snarls. Or David Murray's more open-ended '77 Flowers for Albert, which ignited a persistent debate over Murray's seemingly ubiquitous Aylerisms. Both records were defining moments in the respective saxophonist's careers. ...


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