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About Red Garland

8

Album Review

Miles Davis: Workin' With the Miles Davis Quintet

Read "Workin' With the Miles Davis Quintet" reviewed by Mark Corroto


1955/56 was an inflection point in the career of Miles Davis. The trumpeter and bandleader went from a promising talent to the high profile face of jazz and popular music. The two marathon sessions, May 11 and October 26, 1956, that created Workin' With the Miles Davis Quintet along with Cookin', Relaxin' and Steamin' might have been written off by Davis as a mere fulfillment of his contract duties for Prestige Records. He had signed a more lucrative contract with ...

1

Radio & Podcasts

Red Garland Centennial, Bigger Band Works, $8 Finds

Read "Red Garland Centennial, Bigger Band Works, $8 Finds" reviewed by David Brown


Join us for another week of the Jazz Continuum. Old, new, in, out, where ever the music takes us. Each week we explore the elements of jazz form a historical perspective. This week we take a look at some new releases form Artemis, Lesley Moc and Michael Formanek, celebrate the centennial birthday of Red Garland, and check out some more larger bands with Thad Jones / Mel Lewis, Toshiko Akiyoshi, Shirley Scott and more. Enjoy! Playlist Thelonious Monk ...

14

Album Review

Miles Davis Quintet: 2nd Session 1956 Revisited

Read "2nd Session 1956 Revisited" reviewed by Chris May


Rough round the edges some of the performances might be, but that is part of their real-time, first-take charm. The twelve tracks collected on 2nd Session 1956 Revisited are, nonetheless, arguably the most perfect Miles Davis ever recorded. Over the years they have been issued and reissued, anthologised and repackaged, almost as often as Louis Armstrong's Hot Fives and Hot Sevens. But never with as much attention to sonic detail as on this album, remastered by the ezz-thetics label's Michael ...

12

Reassessing

Red Garland's Piano

Read "Red Garland's Piano" reviewed by C. Michael Bailey


Pianist Red Garland follows up his debut recording A Garland of Red (Prestige, 1956) with what might be his finest statement leading a jazz trio, Red Garland's Piano. Garland continues his association with bassist Paul Chambers and drummer Art Taylor forming his most durable rhythm section, and one that would record with him on ten of his 45 recordings as a leader. The trio recorded the sides that would become Red Garland's Piano in December 1956 and March 1957 at ...

7

Reassessing

A Garland of Red

Read "A Garland of Red" reviewed by C. Michael Bailey


Like pianist Wynton Kelly and Kelly's debut recording New Faces -New Sounds (Blue Note, 1951), William McKinley Red Garland performed for years as a sideman before releasing his first recording as a leader, A Garland of Red. Originally from Dallas, Texas, Garland migrated to New York City after a stint with Hot Lips Page in 1946. There, Garland recorded with Eddie “Lockjaw" Davis and Charlie Parker, basically just kicking around until drummer Art Blakey heard him one night playing a ...

11

Album Review

Red Garland: Swingin’ on the Korner: Live at Keystone Korner

Read "Swingin’ on the Korner: Live at Keystone Korner" reviewed by Chris M. Slawecki


It's often been written about many (sometimes less deserving) artists, but in his case it's genuinely true: Pianist Red Garland played on too many classic jazz albums--especially in bop quintets led by Miles Davis and John Coltrane--to fully count. Swingin' on the Korner, a 1977 trio date with bassist Leroy Vinnegar and drummer Philly Joe Jones recorded live at Keystone Korner, adds one more title to this uncountable list. Swingin' reunites Garland with drummer Jones, who teamed with Garland and ...

12

From the Inside Out

Music’s Where You Find It

Read "Music’s Where You Find It" reviewed by Chris M. Slawecki


Ajoyo Ajoyo Ropeadope 2014 Multi-reed player Yacine Boulares has picked up, and left behind, musical footprints literally all around the world. He was born in North Africa (Tunisia) but grew up in Paris, where he studied philosophy at the Sorbonne and jazz performance at the National Conservatory and New School for Jazz. As a Fulbright scholar, Boulares continued his musical studies and began his professional career in New York City, where he deeply connected ...


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