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Jazz Articles about Raul De Souza


About Raul De Souza

101

Liner Notes

Antonio Carlos Jobim et al: Focus On Bossa Nova

Read "Antonio Carlos Jobim et al: Focus On Bossa Nova" reviewed by Arnaldo DeSouteiro

by Arnaldo DeSouteiro

This is a trip into the world of bossa nova. Or the worlds of bossa nova. For the style that made Brazilian music so respected and famous all over the world has some subdivisions that coexist among its universe. Bossa nova ranges from the cool/introspective/airy sounds patented by Joao Gilberto in the late Fifties, to a strong/vigorous/hard-bop influenced samba-jazz that reigned in the mid-Sixties. But both streams are equally sophisticated in harmonic terms, mixing beautiful melodies with captivating grooves. So, ...

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8

Liner Notes

Raul De Souza: Colors

Read "Raul De Souza: Colors" reviewed by Arnaldo DeSouteiro

by Arnaldo DeSouteiro

Raul De Souza's life can be seen as a one-of-a-kind story. Indeed, it would make a perfect novel or film script. It may not be as big a tragedy as 'Round Midnight or Bird, but it has drama, love, adventure, and great music. Picture this: a poor child grows up in Brazil working as a weaver and practicing trombone in conversations with a buffalo in the jungle, dreaming of someday becoming an internationally famous jazzman. Suddenly, this dream ...

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39

Album Review

Rodrigo Lima: Saga

Read "Saga" reviewed by Chris M. Slawecki

by Chris M. Slawecki

“I fell in love with the jazz guitar--all kinds of jazz guitarists, from Jim Hall to Pat Metheny to Luis Bonfá, by listening to their records," explains Brazilian composer, arranger, bandleader and guitarist Rodrigo Lima. Saga luxuriously extends this jazz guitar love affair across the American and Brazilian continents--it was recorded in New York, Los Angeles, Rio de Janeiro and Curitiba--and across the two CDs of Lima's utterly magnificent recorded debut. Producer Arnaldo DeSouteiro elegantly ...

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32

Album Review

Ithamara Koorax: Opus Classico

Read "Opus Classico" reviewed by Chris M. Slawecki

by Chris M. Slawecki

Throughout her career, Ithamara Koorax has consistently exercised a singing voice that approaches the eternal; Ira Gitler once famously described Koorax's singing as “celestial elegance." On Opus Clássico, that amazing voice finds material to match: Vocal and vocalized melodies written by such master composers as Frederic Chopin, Claude Debussy, Sergie Rachmaninoff and Heitor Villa-Lobos, lovingly and gorgeously rendered by Koorax's astounding voice in tandem with pianist Filipe Bernardo and guitarist Rodrigo Lima (who worked with Koorax on Arirang [2010, EMI]). ...

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375

Album Review

Ithamara Koorax: Brazilian Butterfly

Read "Brazilian Butterfly" reviewed by Chris M. Slawecki

by Chris M. Slawecki

Except for two ballads--the cosmopolitan “Carinhoso with her Brazilian jazz fusion compatriots Azymuth, and Herbie Hancock's title track--Ithamara Koorax's ninth album is her most adventurous release. It seems constructed to honor legendary Brazilian vocalist Flora Purim and her husband/bandleader/percussionist Airto. This Brazilian Butterfly soars and flutters while multiple percussionists (often as many as four on the same song, most often led by the late and legendary Dom Um Romão, with Koorax frequently flailing away among them) knit together, pull apart, ...

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