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Jazz Articles about Rachel Therrien

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Album Review

Rachel Therrien: Mi Hogar II

Read "Mi Hogar II" reviewed by Richard J Salvucci


Rachel Therrien is a Canadian composer and trumpet player who has been around for some time, though her name may be unfamiliar. Therrien's musical journey has taken her from Rimouski, Quebec to Havana, Cuba via New York City and Colombia. Her Latin Jazz Project is nothing if not arresting, and probably merits a name like avant-garde Latin jazz, although labels inevitably just confuse matters. Listen very carefully, because if Jerry Gonzalez, Freddie Hubbard and Chicago all seem to stroll through ...

3
Radio & Podcasts

Rachel Therrien, Rodney Jordan, Diane Marino, Rodney Whitaker and more

Read "Rachel Therrien, Rodney Jordan, Diane Marino, Rodney Whitaker and more" reviewed by Benjamin Boddie


Today's Music--Right Now! Fantastic music by Rachel Therrien, Dr. Purgatory, Rodney Jordan, Diane Marino, Ross Valory, Rodney Whitaker, Max Leake, The Reddish Fetish, Tomas Martin Lopez, Willie Morris, Steve Smith, Yellowjackets, Jeremy Pelt, Ryan Middagh, Nick Hempton & Cory Weeds, Posi-Tone Swingtet, Fernando Ferrarone, Jenna McLean, Artemis, Kasan Belgrave, Michelle Nicolle, Mafalda Minnozzi, MTB, and more. Playlist Rachel Therrien “Soucy" from Mi Hogar ll (Lula World) 00:00 Dr. Purgatory “Creature (Graiae The One-Eyed Orphan)" from The Consumption: A ...

30
Album Review

Jacob Wutzke: You Better Bet

Read "You Better Bet" reviewed by Jack Bowers


Jacob Wutzke, long an admirer of fellow drummer and composer Tony Williams, moved closer to Williams' orbit several years ago when acclaimed bassist Ira Coleman--who had performed and recorded with Williams in the 1980s and '90s-- relocated to Wutzke's home base in Montreal, Canada. After meeting Coleman, Wutzke proposed the idea of recording an album of Williams' music, to which Coleman replied that not only was he down with that but had in his possession Williams' entire repertoire including dozens ...

1
Album Review

Arturo O'Farrill & The Afro Latin Jazz Orchestra: Mundoagua: Celebrating Carla Bley

Read "Mundoagua: Celebrating Carla Bley" reviewed by Angelo Leonardi


Scoperto da Carla Bley nel 1979, quand'era ancora studente diciannovenne, e rimasto nei suoi gruppi per tre anni, Arturo O'Farrill ne celebra la memoria con quest'album ambizioso, che raccoglie due sue suites ed una ("Blue Palestine") che lui stesso commissionò alla grande autrice e bandleader nel 2019, quattro anni prima della sua morte. “Mundoagua" la composizione che apre il disco è stata scritta per commemorare l'Anno dell'acqua ed ha avuto la sua anteprima al Miller Theater di New ...

36
Album Review

Arturo O'Farrill: Mundoagua: Celebrating Carla Bley

Read "Mundoagua: Celebrating Carla Bley" reviewed by Jack Bowers


Mundoagua, the latest album by composer and pianist Arturo O'Farrill's Afro Latin Jazz Orchestra, is subdivided into three suites, the second of which is the four-movement “Blue Palestine," written and arranged by another celebrated composer and pianist, Carla Bley, a leading light in the avant-garde free jazz movement of the mid-twentieth century, who died of cancer in October 2023. The opening suite, “Mundoagua," commissioned by the Columbia University School of the Arts in 2018 to commemorate the ...

35
Album Review

Diva Jazz Orchestra: "30": Live at Dizzy's Club

Read ""30": Live at Dizzy's Club" reviewed by Jack Bowers


The “30" in the title of the superlative all-woman Diva Jazz Orchestra's latest album stands for 30 years, which, believe it or not, is how long the orchestra and its remarkable drummer and leader, Sherrie Maricle, have been up and running and making beautiful music at home and abroad. Among U.S.-based big bands, it would seem that only Count Basie, Duke Ellington and Woody Herman have had longer runs than that. Fast company indeed. So is Diva ready for comparisons? ...

34
Album Review

The DIVA Jazz Orchestra: Swings Broadway

Read "Swings Broadway" reviewed by Jack Bowers


At the ripe old age of thirty (closer to a hundred in big-band years), the superlative New York-based, all-female DIVA Jazz Orchestra remains as frisky as a newborn colt, swinging up, down and around Broadway with abandon on its thirteenth album, a brisk and colorful tribute to the Great White Way that shines brightly from start to finish. The album opens and closes in a mid-1950s vein, raising the curtain with Steven Feifke's breezy, well-grooved arrangement of ...


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