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Hyeseon Hong Jazz Orchestra: Things Will Pass
by Jack Bowers
There are a handful of things you should know about Hyeseon Hong (pronounced hay-sun hong), as each of them impacts the scope and purpose of the music on Things Will Pass. First, she is well-versed in the shaping and subtleties of contemporary big-band jazz; second, she was born and raised in Seoul, South Korea; third, she formed her own big band after relocating from Korea to New York City more than a decade ago; fourth, and perhaps most important, she ...
Continue ReadingQuinsin Nachoff, Jimmy Smith, and Wadada Leo Smith
by Jerome Wilson
This episode features some exploratory music from Quinsin Nachoff and Trevor Dunn, organ jazz from Jimmy Smith and Sigurdur Flosason, and electric jazz-rock wanderings from Wadada Leo Smith. Playlist Henry Threadgill Sextett “I Can't Wait Till I Get Home" from The Complete Novus & Columbia Recordings of Henry Threadgill & Air (Mosaic) 00:00 Mose Allison “Children of the Future" from The Earth Wants You (Blue Note) 00:51 Kelly Green Trio “Daily Lies" from Volume One (KG Music) 4:13 ...
Continue ReadingQuinsin Nachoff: Stars and Constellations
by Vincenzo Roggero
Quinsin Nachoff è personaggio atipico nell'attuale panorama musicale. Attivo e apprezzato interprete di musica classica come di musica improvvisata, continua a operare con successo in entrambi i campi ma da anni,--attraverso lavori commissionati ad hoc, progetti multimediali che coinvolgono esperti di fisica, cineasti, orchestre da camera, quartetti d'archi --, sta portando avanti una personale visione delle possibili convivenze tra i due mondi musicali. Niente di nuovo, si dirà--senza scomodare ingombranti richiami alla Third Stream Music--sono numerosi i ...
Continue ReadingErica Seguine: The New Day Bends Light
by Angelo Leonardi
Impegnandosi nel ruolo di produttore, Darcy James Argue dà particolare considerazione al debutto discografico di quest'ensemble, fondato nel 2011 a New York dalle compositrici Erica Seguine e Shon Baker. La prima è anche arrangiatrice e guida dell'orchestra, la seconda entra nel cast come sassofonista. Dopo varie esibizioni in locali chiave della Big Apple, le due leader hanno selezionato sette composizioni originali dal loro repertorio, incidendole con un ampio organico comprendente talentuosi solisti della metropoli. Alcuni di essi ...
Continue ReadingQuinsin Nachoff: The Science of the Sublime
by Lawrence Peryer
New York-based tenor saxophonist and composer Quinsin Nachoff creates at the intersection of jazz and classical music--and his work history demonstrates he is equally at home in both worlds. From saxophone concertos, chamber music and string quartet to his stellar group Flux--featuring David Binney, Matt Mitchell, Kenny Wollesen and Nate Wood--Nachoff is obliterating genre divides. It is in the context of two projects, his multimedia live work Patterns from Nature and album Stars and Constellations (Adyhâropa ...
Continue ReadingErica Seguine/Shon Baker Orchestra: The New Day Bends Light
by Jack Bowers
The New Day Bends Light, the debut recording by the twelve-year-old Erica Seguine/Shon Baker Orchestra, is interesting on a number of levels, not the least of which is emotional. The leaders and their twenty-one piece ensemble are clearly committed to the music and do their best to breathe life into each of the album's seven numbers, three of which were written by Seguine, three by Baker and the other ("Ose Shalom") by Nurit Hirsh. Aside from that, there is the ...
Continue ReadingMike Fahie Jazz Orchestra: Urban(e)
by Dan Bilawsky
There's a rocky history surrounding jazz-classical hybrids. But, in truth, that has little to do with any potential incompatibility. Instead, it's usually misguided maneuvering and/or an excessive show of dominant traits from one side or the other that mars said unions. When done right a wedding of those worlds can truly birth brilliance. Just listen to Urban(e) for proof. Noted trombonist, composer, arranger and educator Mike Fahie's unabashed love for classical music and jazz is clear and ...
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