Jazz Articles about Peter Erskine

About Peter Erskine

Album Review

Dave Slonaker: Convergency

Read "Convergency" reviewed by Richard J Salvucci

by Richard J Salvucci
September 22, 2022

In December 1910, Virginia Woolf once observed, human character changed and, along with it, so did everything else. Politics, society, religion, sex, all of it, she thought, would leave the ancien regime behind. And, to a point, she was correct. Within a few years, the old world was gone, swept away by war and revolution. It was not coming back. Ever. Somehow, listening to the marvelous musical products of modern big bands, Woolf seems oddly relevant. The level ...

Album Review

Dave Slonaker Big Band: Convergency

Read "Convergency" reviewed by Jack Bowers

by Jack Bowers
August 22, 2022

While big-band albums generally differ, sometimes widely, in tone and temperament, there are definitive criteria by which every one may be evaluated--arrangements, performers, sound quality, sequencing and, above all, the elusive but imperative swing quotient. Dave Slonaker checks all those boxes and more on Convergency, a superlative successor to his excellent Grammy-nominated debut album, Intrada, released in 2013. To begin with, Slonaker, best known as a film and television composer, is an excellent big-band writer and arranger, ...

Album Review

Dave Slonaker Big Band: Convergency

Read "Convergency" reviewed by Troy Dostert

by Troy Dostert
August 3, 2022

Composer/conductor Dave Slonaker probably won't qualify as “prolific," at least based on recorded output alone, as he spends a lot of his time behind the scenes in film and television work—but one must appreciate the level of craftsmanship that he brings to his big band projects. His debut release, Intrada (Origin Records, 2014), received a well-earned Grammy nomination, and his sophomore effort is no less accomplished, with the well-designed compositions and outstanding ensemble work that justify all the attention it ...

Album Review

Chris Standring: Wonderful World

Read "Wonderful World" reviewed by Richard J Salvucci

by Richard J Salvucci
September 7, 2021

Many years ago, there was a radio station, WJBR, broadcasting from Wilmington, Delaware. The call sign stood for Just Beautiful Radio and that was precisely what you got. No-one called it easy listening or anything like that--it was the early 1960s--but listeners got a predictable dose of Percy Faith, Ray Conniff, Frank Chacksfield, nothing too challenging. The announcers had a predictable style as well—modulated, mellow, reassuring. In those days, with the possibility of nuclear war never far from anyone's mind, ...

Album Review

Chris Standring: Wonderful World

Read "Wonderful World" reviewed by Pierre Giroux

by Pierre Giroux
August 19, 2021

Chris Standring is a Los Angeles-based contemporary jazz guitarist who was originally raised in Buckinghamshire, England. He has always had an itch to record an album of standards and that was scratched with the release of Wonderful World . Through the marvels of technology, Standring was able to record the trio tracks in several locations in California with some bold face names such as Peter Erskine, Chuck Berghofer and Randy Brecker, while the orchestral input was arranged and conducted by ...

Album Review

Chris Standring: Wonderful World

Read "Wonderful World" reviewed by Jack Bowers

by Jack Bowers
July 29, 2021

Wonderful World, the fourteenth album as leader by British guitarist Chris Standring, was no doubt recorded with the best of intentions. And make no mistake, the music is warm and lovely, furnishing an opulent showcase for Standring's mellow guitar. Aside from that, however, there's not a whole lot to say. Standring's “orchestra" consists of a nineteen-member string section, while Geoff Gascoyne's syrupy arrangements call to mind popular string-laden sessions from the 1950s and '60s, “easy listening" albums for “late-night lovers" ...

SoCal Jazz

Pasqua, Erskine, and Oles: The Art of the Jazz Trio

by Jim Worsley
July 14, 2021

"We've known each other and have been playing together for fifty years now," was proudly, if even more sentimentally, reminisced by pianist Alan Pasqua in reference to drummer Peter Erskine to an intimate and appreciative audience at Sam First in Los Angeles during a recent performance. Bassist Darek Oleszkiewicz, who has been part of the mix for a “mere" twenty years, rounded out this stellar and superbly connected trio. Pasqua's warm hearted moment also included a remembrance of the late ...