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Jazz Articles about Peter Brötzmann

13
Album Review

Peter Brotzmann/Sonny Sharrock: WHATTHEFUCKDOYOUWANT

Read "WHATTHEFUCKDOYOUWANT" reviewed by Mark Corroto


Gone, now more than twenty years ago, guitarist Sonny Sharrock passing in 1994 seems like just yesterday. Maybe it is because his inexhaustible larger-than-life sound still permeates the music of today's free jazz community. This recording, from 1987 is a hidden gem and treasured fragment, perhaps another Rosetta Stone that allows listeners to appreciate how the jazz and rock music worlds shattered into a million pieces in the 1960s, only to reconfigure into new and challenging ways. Sharrock ...

4
Album Review

Peter Brotzmann / Steve Noble: I Am Here Where Are You

Read "I Am Here Where Are You" reviewed by Mark Corroto


The greatest artists in history have never been able to capture the immensity of the American sequoia trees. Like the Grand Canyon, their gargantuan size cannot successfully be reduced to canvas by painters like Albert Bierstadt or Thomas Hill, nor captured on gelatin silver prints by photographers like Ansel Adams. Seeing is, indeed, believing. Just like the titanic Redwoods, experiencing the force of nature that is Peter Brötzmann is best done in person.Thankfully, an excellent recording can succeed ...

2
Film Review

The Peter Brotzmann Chicago Tentet: Concert For Fukushima Wels 2011

Read "The Peter Brotzmann Chicago Tentet: Concert For Fukushima Wels 2011" reviewed by Eyal Hareuveni


The Peter Brötzmann Chicago TentetConcert For Fukushima Wels 2011PanRec/Trost Records2013 In 2011 the Music Unlimited Festival in Wels, Austria, celebrated Peter Brötzmann's 70th birthday (as well as the festival's 25th year edition), under the title Long Story Short. Brötzmann was asked to curate the program and after two years of preparation he ended with 40 musicians, in new and not-so-new formations, who gathered to celebrate over four packed days what Brötzmann ...

3
Album Review

Peter Brotzmann: Solo At Dobialab

Read "Solo At Dobialab" reviewed by Mark Corroto


Never at a loss for words (or, in his case, notes), saxophonist Peter Brötzmann is, nonetheless, one to speak only when necessary. Meaning, he chooses his sounds carefully. On first blush this fire-breathing legend, who brought forth such monumental free jazz discs as Machine Gun (FMP, 1968), the 1970 session Fuck de Boere: Dedicated to Johnny Dyani (UMS/Atavistic, 2001), and his current monster electric noise band Hairybones, might appear loquacious, even unreserved.But get a glimpse of ...

8
Extended Analysis

Peter Brotzmann: Long Story Short

Read "Peter Brotzmann: Long Story Short" reviewed by Mark Corroto


Whether you have no experience with the Godfather of free jazz or you measure your Peter Brötzmann CD and LP collection in linear feet, this 5CD box curated by the German saxophonist is either a great introduction to or an affirmation of his music and influence.Organized on the occasion of his 70th birthday, these four days of performances in November 2011, also marked the 25th anniversary of the Unlimited Festival in Wels, Austria. Brötzmann did not assemble a ...

6
Live Review

Peter Brotzmann Chicago Tentet + 1: London, England, November 9-10, 2012

Read "Peter Brotzmann Chicago Tentet + 1: London, England,  November 9-10, 2012" reviewed by John Sharpe


Peter Brötzmann Chicago Tentet + 1Café OtoLondonNovember 9-10, 2012Reprising a legendary three-day residency at Dalston's Café Oto in April 2011, saxophonist Peter Brötzmann's Chicago Tentet roared into town for two nights as part of the London Jazz Festival, the penultimate dates in a nine-day European tour. Incredibly, given the inclement economic climate and the busy schedules of a star-studded roster bursting with leaders in their own right, this band has hit the road relentlessly, several ...

51
Live Review

Peter Brotzmann Ada Trio: London, UK, February 20, 2012

Read "Peter Brotzmann Ada Trio: London, UK, February 20, 2012" reviewed by John Sharpe


Peter Brötzmann Ada TrioCafé OtoLondonFebruary 20, 2012 So potent was the chemistry between saxophone behemoth Peter Brötzmann, cellist Fred Lonberg-Holm and drummer Paal Nilssen-Love when they first convened, that a separate existence was clearly merited. Although the saxophonist had previously engaged both younger men in duos, captured by Smalltown Superjazz on Wood Cuts (2010) and Sweetsweat (2007) in the case of the Norwegian, it was on the 2011 Chicago Tentet tour that the triumvirate initially ...


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