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Ravita Jazz: Alice Blue
by Jack Bowers
Alice Blue is a pleasant, no-frills session neatly performed by Ravita Jazz, a co-op sextet (or quintet plus vocalist) from Maryland whose presumed overseer is bassist Phil Ravita, as his is the only name that coincides with the name of the group as a whole. Ravita also wrote half of the studio date's 10 numbers, all of which are original compositions save for Deirdre Jennings's vocal renditon of the standard “On the Sunny Side of the Street." ...
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by Raul d'Gama Rose
In the 1939-40 academic year at Harvard University, Igor Stravinsky delivered a series of six lectures in French entitled Poétique musicale sous forme de six leçons. Stravinsky analysed the role of the critic, the requirements of the interpreter and the state of Russian music. He believed that a composer's freedom to create rose from a platform of structures which incorporated the rules of music--a process that ultimately frees the spirit. Stravinsky understood his own vocation as that of ...
Continue ReadingScenes from the 2024 Mid-Atlantic Jazz Festival
by Matt Hooke
The greatest gift any music festival can give a listener is the chance to think about a genre differently and the Mid-Atlantic Jazz Festival did just that between February 16 and February 18. Most concert goers attend a show to hear a specific artist they are already familiar with, but the beauty of a festival is that it can expose you to many different styles in the span of a weekend. Across several stages at the Hilton Hotel ...
Continue ReadingPaul Carr: Straight Ahead Soul
by C. Michael Bailey
If saxophonist Paul Carr could be described in a single word, it would be durable. Carr's two previous recordings--Just Noodlin' (PCJE, 2008) and Musically Yours (PCJE, 2006)--displayed a dependable adherence to the Ray Charles' principles of rhythm and blues. His tone and attack are made of the same precious metal as that of Hank Crawford and David “Fathead" Newman. On Straight Ahead Soul, Carr does his part to move adult contemporary jazz toward respectability with the fussy and hard-to-please traditionalist. ...
Continue ReadingPaul Carr: Musically Yours
by AAJ Italy Staff
Ex allievo di Arnett Cobb, Paul Carr ne ha ereditato tutta la verve soulful, unita ad un fraseggio robusto e vigoroso tipico della scuola texana. Due qualità esercitate al meglio in questo omaggio a Joe Henderson, pervaso da una trascinante vis hardboppistica. Il suo è un quintetto prestigioso, che avvalendosi della presenza di Mulgrew Miller e Lewis Nash, ha le sue carte vincenti in un contagioso ed accattivante dinamismo. Nonostante ciò, è un disco che non riesce a lasciare il ...
Continue ReadingPaul Carr: Musically Yours
by Michael P. Gladstone
Houston's tenor saxophonist Paul Carr has provided, within a short recording career span, a number of intriguing and solid appearances. On his debut, Just Noodlin' (Jazz Karma, 2006), Carr provides a soulful and robust tenor sax in the style of Hank Mobley without seeking any deliberate comparisons. In addition, with his appearance on Eric Byrd's Brother Ray (Self Published, 2008), Carr is one of the four-man sax section which pays homage to the Ray Charles Atlantic Records period. Carr is ...
Continue ReadingPaul Carr: Musically Yours: Remembering Joe Henderson
by C. Michael Bailey
Listening to the music of tenor saxophonist Paul Carr, one recognizes that he has completely imbued the music of the late Joe Henderson, to whom he pays tribute on Musically Yours: Remembering Joe Henderson. Growing up in Texas under the spell of such “Texas Tenors" as Don Wilkerson and Arnett Cobb, Carr developed a big blusey tone.Carr uses this to great effect as he draws the funk and blues out of the Henderson's compositions--performing them quite differently from ...
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