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8
Liner Notes

One For All: Big George

Read "One For All: Big George" reviewed by C. Andrew Hovan


The world has changed dramatically since the end of the 20th century, the time period when the jazz collective One For All began to forge their stamp on the history of hard bop. Using the club Augie's on New York's upper west side as their stomping grounds, the group would make their debut recording at the beginning of 1987. The Broadway club would eventually become home of Smoke, one of the gems of the city's jazz scene and continued purveyor ...

16
Album Review

One for All: Big George

Read "Big George" reviewed by Joshua Weiner


Smoke Sessions Records, based out of NYC's Smoke Jazz Club, has a fascinating recording model: artists play a few nights at the club, take a day off, and then go into a studio such as the famous Sear Sound to record their repertoire for release. They been putting out some excellent material, the latest of which is the first album in seven years from the sextet One for All. The title, Big George, reveals what sets this one apart from ...

9
Liner Notes

One For All: Blueslike

Read "One For All: Blueslike" reviewed by C. Andrew Hovan


As the timeworn adage goes, sometimes the best things come from situations where one is asked to function in less than ideal circumstances. When you have little time to analyze things and go with pure instincts, there's an air of veracity and spontaneity to the results that is seldom arrived at by any other means. Although the hard bop collective One For Allhas forged a shared identity through regular gigs and a growing catalog of recordings for several labels, including ...

10
Liner Notes

One For All: Live at Smoke Vol.1

Read "One For All: Live at Smoke Vol.1" reviewed by C. Andrew Hovan


Aside from the musical fireworks that make the enclosed sides noteworthy, there are additional factors that mark Live at Smoke as a major event. For one thing, this “on location" recording is one of the rare live dates to grace the Criss Cross catalog. Furthermore, it serves as a perfect summation up to this point of One For All's musical fortunes as heard in the same venue that fostered the ensemble's very formation. Back in the mid-'80s, drummer Joe Farnsworth, ...

6
Album Review

One for All: The Third Decade

Read "The Third Decade" reviewed by C. Andrew Hovan


Hard to believe it will be twenty years ago next year that the hard bop ensemble One For All debuted with Too Soon To Tell on the fledgling Sharp Nine label. Formed as a group that regularly played together at an uptown Broadway club called Augie's, each member was just at the start of their own budding careers. Even today, it continues to be a surprise that these gentlemen still find the time to assemble for the occasional record date ...

184
New York Beat

A Jazz Marriage: Smoke and One For All

Read "A Jazz Marriage: Smoke and One For All" reviewed by Nick Catalano


After 12 years of classic jazz bookings and extraordinary patron loyalty, Smoke deserves legendary status right next to Birdland (the old club of the 50's), Basin Street, The Village Vanguard, The Blue Note, and a couple of the old 52 St. clubs. In addition to having unique intimacy, a special staff who could give a seminar in how to run a jazz club and a sensible food and drink menu, Smoke has had the prescience to embrace the hottest hard ...

337
Extended Analysis

One for All: Incorrigible

Read "One for All: Incorrigible" reviewed by Sean Coughlin


One for All Incorrigible Jazz Legacy Productions 2010

One for All's Incorrigible showcases some of the best original writing the group has had in its 14 releases. It no longer sounds like a bunch of “young lions" thrown together in a recording studio. Cohesive and interdependent, these musicians bring out the best in one another, resulting in an album filled with thoughtful communication and high energy improvisation. “Bewitched, Bothered, ...


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