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Jazz Articles about Nels Cline

12
Album Review

Nels Cline: Consentrik Quartet

Read "Consentrik Quartet" reviewed by Don Ball


While Nels Cline has been playing the guitar-hero rock star for the past two decades with Wilco, he continues to release his own solo recordings under various names (including the Nels Cline 4 and the Nels Cline Singers, which, amusingly, contain no vocalists) tailored toward the avant-garde side of jazz (with the notable exception of his lush, lovely jazz orchestra Blue Note release from 2016, Lovers). His 2025 release, Consentrik Quartet, brings together some of the finest jazz musicians working ...

1
Radio & Podcasts

Nels Cline, Billy Mohler, Koi Kingdom, Sophie Lüssi & More

Read "Nels Cline, Billy Mohler, Koi Kingdom, Sophie Lüssi & More" reviewed by Ludovico Granvassu


A slew of gorgeous new albums on the NY-LA express is at the core of this episode which also takes us to Switzlerland and Australia, for good measure!Happy listening!Playlist Ben Allison “Mondo Jazz Theme (feat. Ted Nash & Pyeng Threadgill)" 0:00 Billy Mohler “Those Who Know" The Eternal (Contagious) 0:16 Host talks 4:28 Nels Cline “The Bag" Consentrik Quartet (Blue Note) 6:04 Host talks 10:58 Sophie Lüssi “Orpheuspotter" Atlantic Puffin (ezz-thetics) 13:09 Koi Kingdom “Ark" Koi ...

2
Radio & Podcasts

Nels Cline: The Shape of Sound

Read "Nels Cline: The Shape of Sound" reviewed by Leo Sidran


For nearly two decades, Nels Cline has been best known as the mercurial, shape-shifting guitarist of Wilco, a role that has introduced his name to legions of fans and placed him at the center of a beloved and influential American band. But to reduce Cline's career to his work with Wilco would be to miss the expansive, restless nature of his artistry. He is a guitarist's guitarist--an improviser, a sonic architect, and a musician equally at home in the avant-garde ...

52
Album Review

Various Guitarists: The Middle of Everywhere: Guitar Solos Vol. I

Read "The Middle of Everywhere: Guitar Solos Vol. I" reviewed by Glenn Astarita


Produced by laudable guitarist/composer Joel Harrison and the Alternative Guitar Summit, The Middle of Everywhere: Guitar Solos Vol. 1 is a compelling exploration of the intersections between jazz, classical and world music traditions--think of it as a musical United Nations, where six-stringed diplomats from various genres come together to harmonize. In the album liners, Harrison states, “The idea for this project started when I presented a concert of virtual solo performances from around the world during the pandemic." Hence, it ...

4
Album Review

Wadada Leo Smith: Fire Illuminations

Read "Fire Illuminations" reviewed by Mike Jurkovic


Eighty-one year old trumpeter Wadada Leo Smith comes out flaring like Bitches Brew era Miles Davis, as Fire Illuminations jumps the funk rock from the break of the muscular conflagration “Ntozake." And the grunge jazz clips along as guitarists Nels Cline, Brandon Ross, and Lamar Smith vie, bite, sting, and quarrel over an insistent bass drum power-groove courtesy of bassists Bill Laswell and Melvin Gibbs, percussionist Mauro Refosco, drummer Pheeroan aKlaff, and the deep space electronics of Hardedge.

5
Album Review

Wadada Leo Smith: Fire Illuminations

Read "Fire Illuminations" reviewed by Dan McClenaghan


Trumpeter Wadada Leo Smith fronts lots of different bands and puts out lots of albums. After a busy period when he released five boxed sets, totaling 27 CDs, here he debuts his new all-star ensemble Orange Wave Electric, with the download-only offering, Fire Illuminations. As the band name implies, the sound is electric, featuring three electric guitarists, two electric bassists and an electronicist, joining the leader's horn, percussionist Mauro Refosco and drummer Pheeroan aKLaff. For comparison's sake--and using ...

12
Album Review

Sara Schoenbeck: Sara Schoenbeck

Read "Sara Schoenbeck" reviewed by Karl Ackermann


Sara Schoenbeck is cast against type in the world of bassoonists. The versatile double reed, broad-ranged instrument dates to the Renaissance and is commonly found in wind ensembles and chamber orchestras. But Schoenbeck has brought her classical-leaning instrument to creative music in an electrifying body of work. Her self-titled leader debut is the first such project of her career. A series of nine duets allows Schoenbeck to fully explore the scope of the bassoon in close settings. Not ...


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