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Jazz Articles about Neil Swainson

3
Album Review

Mike McClelland Rm 210: You'll Hear It: The Music of Bob Fenton

Read "You'll Hear It: The Music of Bob Fenton" reviewed by Pierre Giroux


The Mike McClelland Quartet in this release has adopted the title of Mike McClelland Rm 210, led by McClelland on drums and joined by a stellar trio of Toronto musicians, including Mike Murley on tenor and soprano saxophones, Reg Schwager on guitar, and bassist Neil Swainson. The band pays a heartfelt tribute to pianist and composer Bob Fenton with You'll Hear It-- The Music of Bob Fenton . Fenton left an indelible mark on the Toronto jazz scene, ...

4
Album Review

Neil Swainson Sextet: Here for a While

Read "Here for a While" reviewed by Pierre Giroux


Neil Swainson's Here For A While is a tutorial in modern jazz composition and ensemble synergy. Swainson, a bassist of profound depth and melodic sensibility, has gathered a formidable sextet for this project, including Brad Turner on trumpet and flugelhorn, Kelly Jefferson on tenor andsoprano saxophones, Steve Davis on trombone, Renee Rosnes on piano and Quincy Davis on drums. Together, they bring to life nine compositions that are as intricate as they are engaging, each a testament to Swainson's skill ...

3
Album Review

Scott/Grant 5: Horizon Song

Read "Horizon Song" reviewed by Pierre Giroux


This release from guitarist Andrew Scott and trombonist Kelsey Grant, Horizon Song, is a tutorial in jazz which feels both refreshingly innovative and an ageless classic. This collection of original compositions from Scott or Grant can be categorized by their unwavering coolness and a distinct absence of musical anxiety. The other artists in this session are pianist Amanda Tosoff along with the indispensable rhythmic duo of bassist Neil Swainson and drummer Terry Clarke. The opener is the title track, “Horizon ...

38
Album Review

Joel Haynes: The Return

Read "The Return" reviewed by Jack Bowers


The Return! is certainly well-named, as it is drummer Joel Haynes' third album as leader of his own group but the first in fifteen years, following Cellar Music recordings The Time Is Now (2005) and Transitions (2008). During his long absence from a recording studio, however, Toronto-based Haynes has managed to stay busy, performing with many of the finest jazz artists in Canada and appearing at jazz festivals and other events in North and South America, the Caribbean and Europe. ...

30
Album Review

Brad Turner Quintet: The Magnificent

Read "The Magnificent" reviewed by Jack Bowers


If the title of Canadian trumpeter Brad Turner's latest album, The Magnificent, sounds a trifle self-absorbed, rest assured it does not refer to him but to another “magnificent" horn player, the late Thad Jones. The honorific, however, would not be unwisely used if applied to Turner himself, who not only excels on the trumpet but also plays tasteful piano and wrote every one of the album's generally engaging themes. Although the group is listed on the album ...

9
Album Review

Mike Murley and Mark Eisenman: Recent History

Read "Recent History" reviewed by Pierre Giroux


Mike Murley and Mark Eisenman are well-recognized jazz musicians known for their considerable talent and contributions to the jazz genre. Their collaborative album Recent History is a testament to this music, showcasing their ability to create a cohesive and engaging musical conversation. Added to this satisfying outing is the internationally acclaimed rhythm section of bassist Neil Swainson and drummer Terry Clarke to complete the quartet. The make-up of this mainstream session is four Murley/Eisenman duo tracks ...

5
Album Review

Brad Turner Quintet: The Magnificent

Read "The Magnificent" reviewed by Pierre Giroux


Brad Turner's album The Magnificent is a sonic gem on which he invites listeners on a musical journey which effortlessly balances tradition and innovation. Comprising a wish-list of stellar musicians, including guitarist Peter Bernstein, bassist Neil Swainson, drummer Quincy Davis and, on four tracks, tenor saxophonist Cory Weeds, the band gathered together to record a session to breathe life into nine Turner compositions. The opening track is “You're OK," in which Turner's trumpet takes center stage ...


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