Jazz Articles about Neil Sadler

Neil Sadler: Theory Of Forms

by John W. Patterson
May 1, 1999

This is my kind of delightfully frenetic, jazzish and fusiony art. Tis quirky, energetic, odd-metered, free-blowin' yet structured abandon. Sadler's seven compositions are whirlpools of beat, whole tonal scales, staccato attacks and explosions — all geared for great improvs and dynamics. Ah, there is room for Keneally fusion riffs and Torn-like howling sustain. Walt, Steve, and Bruce Fowler bring in a definite Miles Davis / Mark Isham aura along with that Steve Coleman, David Binney, and Brecker feel in many ...