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Jazz Articles about Miles Davis

677
Album Review

Miles Davis: The Complete Columbia Recordings of Miles Davis With John Coltrane

Read "The Complete Columbia Recordings of Miles Davis With John Coltrane" reviewed by C. Andrew Hovan


Some nine years after Miles Davis’ untimely death, Columbia Records is still repackaging his recorded legacy. The most recent efforts in this area have been made available both on compact disc and in 180-gram vinyl versions by way of Mosaic Records. It is the latter edition that this review is based on, though it should be noted that basically the only difference between the two sets, besides the presentation medium, is that Mosaic’s package is a 12 x 12 box ...

338
Album Review

Miles Davis: On The Corner / Get Up With It

Read "On The Corner / Get Up With It" reviewed by Todd S. Jenkins


Columbia/Legacy is embarking upon a hot fusion reissue program, reshaping many of their classic albums via digital technology to make the roots of today’s music more relevant. Among the first reissues slated for 2000 are two of Miles Davis’ most misunderstood but oddly influential offerings, “On The Corner” and “Get Up With It”. At the “On The Corner” sessions Miles went nuts with electric eclecticism. He hooked a pickup and wah-wah pedal to his trumpet, hired three drummers and three ...

191
Album Review

Miles Davis: In A Silent Way

Read "In A Silent Way" reviewed by John Ballon


Miles Davis was going through exciting musical changes in 1968, listening and playing things which were leading him into the future and into In a Silent Way. His music and lifestyle were being influenced by a wave of new sounds and ideas, and he was responding deeply to the music of James Brown, Sly Stone, and Jimi Hendrix. Having already pushed acoustic jazz to the limits with his mid-Sixties quintet, Miles metamorphosed the new sounds around him, creating a work ...

369
Album Review

Miles Davis: Aura

Read "Aura" reviewed by Todd S. Jenkins


In 1984 Danish trumpeter Palle Mikkelborg composed this ambitious nine-part suite for Miles Davis, based upon his audial perceptions of the jazz legend's aura. The suite was recorded in Copenhagen with a large ensemble including John McLaughlin, percussionist Marilyn Mazur (later a regular member of the Davis band), bassists Bo Stief and Niels-Henning Orsted Pedersen, electric drummer Vince Wilbum and 23 other musicians. This exquisitely remastered reissue has corrected a prior sequencing problem, reattached a short horn intro onto track ...

258
Album Review

Miles Davis: The Complete Columbia Recordings of Miles Davis With John Coltrane

Read "The Complete Columbia Recordings of Miles Davis With John Coltrane" reviewed by C. Andrew Hovan


Some nine years after Miles Davis’ untimely death, Columbia Records is still repackaging his recorded legacy. The most recent efforts in this area have been made available both on compact disc and in 180-gram vinyl versions by way of Mosaic Records. It is the latter edition that this review is based on, though it should be noted that basically the only difference between the two sets, besides the presentation medium, is that Mosaic’s package is a 12 x ...

311
Album Review

Miles Davis: On The Corner / Get Up With It

Read "On The Corner / Get Up With It" reviewed by Todd S. Jenkins


Columbia/Legacy is embarking upon a hot fusion reissue program, reshaping many of their classic albums via digital technology to make the roots of today’s music more relevant. Among the first reissues slated for 2000 are two of Miles Davis’ most misunderstood but oddly influential offerings, “On The Corner” and “Get Up With It”. At the “On The Corner” sessions Miles went nuts with electric eclecticism. He hooked a pickup and wah-wah pedal to his trumpet, hired three drummers and three ...

252
Album Review

Miles Davis: In A Silent Way

Read "In A Silent Way" reviewed by John Ballon


Miles Davis was going through exciting musical changes in 1968, listening and playing things which were leading him into the future and into In a Silent Way. His music and lifestyle were being influenced by a wave of new sounds and ideas, and he was responding deeply to the music of James Brown, Sly Stone, and Jimi Hendrix. Having already pushed acoustic jazz to the limits with his mid-Sixties quintet, Miles metamorphosed the new sounds around him, creating a work ...


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