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About Michael Dease

12

Album Review

Michael Dease: Found in Space: The Music of Gregg Hill

Read "Found in Space: The Music of Gregg Hill" reviewed by Paul Rauch

by Paul Rauch

Leaving a legacy in this life is a subject that holds different meanings for people. For some, it involves building a structure of permanence that will stand up to the test of time after one's entrance into eternity. For others, it is more fleeting, something that can be shaped and reshaped, and if desired, completely torn down. For some it is a function of building a monument to oneself. For others, like Central Michigan composer/arranger Gregg Hill, it is a ...

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5

Album Review

Michael Dease: Grove's Groove

Read "Grove's Groove" reviewed by Richard J Salvucci

by Richard J Salvucci

The story of Michael Dease's journey from sax to trombone and back again is one any parent of a musically talented child could recognize. Dease started out as an alto saxophonist in middle school. Sometime later, he wanted to switch to the baritone sax. He worked at it. And worked at it some more. His combination of talent and practice paid off. Dease became something of a young monster on the horn, outplaying his senior bandmates in high school. But ...

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Album Review

Etienne Charles: Creole Orchestra Featuring René Marie

Read "Creole Orchestra Featuring René Marie" reviewed by Angelo Leonardi

by Angelo Leonardi

A 18 anni di distanza dal debutto discografico in Culture Shock il trombettista originario di Trinidad & Tobago, si cimenta come bandleader di un ampio organico, in una lussureggiante sintesi di ritmi caraibici e orchestrazioni che vanno dalla tradizione Swing all'hip hop. L'orchestra è un ampliamento della sua storica Creole Soul Band e ospita la cantante René Marie in quattro brani. Etienne ha iniziato a scrivere per ampi organici a partire dalla collaborazione con la stessa cantante ...

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28

Album Review

Jordan VanHemert: Deep in the Soil

Read "Deep in the Soil" reviewed by Jack Bowers

by Jack Bowers

Energy and enthusiasm fairly leap from the speakers--or headphones--on Sharel Cassity's daring “Call to Order," the opening number on Korean-born saxophonist Jordan VanHemert's fifth album as leader, Deep in the Soil. Alas, that same ardor doesn't reappear until track seven (of eight), trombonist Michael Dease's boppish “ST in the House." In between, VanHemert and his companions (group sizes vary from sextet to duo) offer some agreeable music but nothing that approaches the ebullience or cogency of the themes already named. ...

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4

Liner Notes

Michael Dease: Found in Space - The Music of Gregg Hill

Read "Michael Dease: Found in Space - The Music of Gregg Hill" reviewed by Bill Milkowski

by Bill Milkowski

The title itself is revealing. A clever play on words of the old '60s sci-fi show Lost in Space, it immediately suggests an irreverent wit and slightly twisted perspective; qualities that also permeate the unique music of prolific Michigan-based composer Gregg Hill. How this fairly obscure presence on the national music scene has managed to garner such a fervent following remains a mystery to those of us outside the Great Lakes State. Converts include bassist-educator Rodney Whitaker, Director ...

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10

Album Review

Etienne Charles: Creole Orchestra Featuring René Marie

Read "Creole Orchestra Featuring René Marie" reviewed by Chris May

by Chris May

Trinidad-born Etienne Charles has been fortunate in his associates during his development as a jazz musician. One of the first friends he made on arrival in the U.S.A. in the early 2000s to study at Florida State University was faculty member Marcus Roberts. Among much else, the pianist taught Charles the importance of keeping in touch with his roots. “He always said make sure you put where you're from in your music," says Charles in the press materials accompanying his ...

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9

Liner Notes

Jordan VanHemert: Deep in the Soil

Read "Jordan VanHemert: Deep in the Soil" reviewed by C. Andrew Hovan

by C. Andrew Hovan

Born in Korea and raised in Michigan, Jordan VanHemert counts himself among those youngsters that got involved in his school music program by starting out on the alto saxophone. Also like many of his fellow saxophonists, VanHemert eventually moved away from the smaller horn to devote his full energies to the tenor sax, an instrument emblematic of the jazz heritage. “In my formative years, I was almost exclusively an alto saxophonist," VanHemert explained from his current home base in Oklahoma. ...

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