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Jazz Articles about Matt Wilson

9
Album Review

Matt Wilson Quartet: Hug!

Read "Hug!" reviewed by Dan McClenaghan


Drummer Matt Wilson's quartet opens Hug! with Gene Ammons' “The One Before This." Saxophonist Ammons often used the tune as a showcase for tenor battles with fellow sax man Sonny Stitt. Wilson and company--featuring cornetist Kirk Knuffke, sax man Jeff Lederer and bassist Chris Lightcap--lay the sound down like a party. And this quartet parties hard. It feels like a rough-and-tumble affair, going down around midnight, when the alcohol has settled in, and the half hammered dancers are stumbling around ...

1
Album Review

Falkner Evans: Marbles

Read "Marbles" reviewed by Jack Bowers


On his fifth recording as leader, pianist / composer Falkner Evans has expanded his group size from trio (the first three) and quintet (the fourth) to sextet with vibraphonist Steve Nelson added on three of the album's ten numbers, the first nine of which were written by Evans. Even though this was a one-off, Evans' teammates are skillful enough to make it sound like a working ensemble. One reason for this is that the rhythm section (bassist Belden Bullock, drummer ...

16
Album Review

Denny Zeitlin: Live at Mezzrow

Read "Live at Mezzrow" reviewed by Dan McClenaghan


Pianist Denny Zeitlin appeared on his first recording in 1963, flautist Jeremy Steigs' Flute Fever (Columbia Records). He was in his third year at Johns Hopkins Medical School at the time, on a path to dual careers in psychiatry and eventually the teaching of that profession—vocations he continues with to this day. Add a third career, jazz pianist. And Denny Zeitlin doesn't dabble. His music is a third career, equal in personal importance to his more conventional occupations. ...

4
Album Review

Falkner Evans: Marbles

Read "Marbles" reviewed by Jerome Wilson


Pianist Falkner Evans has been gradually expanding the size of his recording projects. He started out with a couple of trio discs, then made one with a quintet. On this latest offering, he fronts a three-horn sextet scored to sound like a bigger and fuller unit. He uses a front line of Michael Blake on tenor sax, Ted Nash on alto sax and Ron Horton on trumpet, that is blended into a cool, reedy sound which ebbs and ...

9
Album Review

Dena DeRose: Ode to the Road

Read "Ode to the Road" reviewed by Jack Bowers


To those who may have wondered what ever happened to singer / pianist Dena DeRose, the answer is nothing—and everything. DeRose has lived for the last fifteen years in Graz, Austria, where she is professor of jazz voice at the University of Music and the Performing Arts. She still tours frequently, sometimes returning “home" to the states for gigs and / or record dates. Along the way, DeRose has met and befriended a sizable number of talented artists, three of ...

20
Album Review

Denny Zeitlin: Live at Mezzrow

Read "Live at Mezzrow" reviewed by Dan Bilawsky


Coming up on two decades of creative engagement and evolution, pianist Denny Zeitlin's group with bassist Buster Williams and drummer Matt Wilson remains one of the most bracing, sophisticated and creatively satisfying trios on the scene. In the best of times, a set like this, recorded live at Spike Wilner's New York piano room Mezzrow, can serve as a reminder of the virtues of camaraderie, depth of feeling, design strength and the art of living in the moment. Arriving at ...

4
Album Review

Svetlana Shmulyian: Night at the Movies

Read "Night at the Movies" reviewed by C. Michael Bailey


Russian-American singer Svetlana Shmulyian has blended an East Europe/Russia combination of elegant determination and delicate grit into the American Songbook on her debut recording Night at the Speakeasy (AO2 Records, 2016), and then film music on Night at the Movies (Starr Records, 2020). The artist surprised listeners by dropping an outtake from Night at the Movies, “Young and Beautiful" from The Great Gatsby (Warner Bros., 2013) in response to the global COVID-19 pandemic. “Young and Beautiful" was ...


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