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Jazz Articles about Mat Maneri

7
Album Review

Mat Maneri: Sounding Tears

Read "Sounding Tears" reviewed by John Sharpe


In the wake of Evan Parker's 2013 and 2014 residencies at New York's The Stone, a slew of tremendous recordings has emerged showcasing the British saxophonist's encounters with the luminaries of the downtown scene. Prominent among them are Miller's Tale (Intakt, 2016) with the electronics of Ikue Mori, violinist Mark Feldman and pianist Sylvie Courvoisier, Either, Or And (Relative Pitch, 2014) with the same pianist, and Ninth Square (Clean Feed, 2015) with guitarist Joe Morris and trumpeter Nate Wooley. But ...

3
Live Review

Mat Maneri and Tanya Kalmanovitch at Korzo

Read "Mat Maneri and Tanya Kalmanovitch at Korzo" reviewed by Tyran Grillo


Mat Maneri and Tanya Kalmanovitch Korzo, Konceptions Music Series Brooklyn, NY August 15, 2017 As part of the Konceptions Music Series at Korzo in Brooklyn, violists Mat Maneri and Tanya Kalmanovitch joined forces for an evening of intimate give and take. As equal partners of their instruments, they have lifetimes' worth of scenes, moods, and themes under their bows. How appropriate, then, that their collaboration should take the name Magic Mountain, after the Thomas ...

8
Album Review

Mat Maneri/Evan Parker/Lucian Ban: Sounding Tears

Read "Sounding Tears" reviewed by Dan McClenaghan


Viola-ist Mat Maneri has spent a quarter century carving out an artistic niche that marries avant-garde jazz with microtonal music, crafting off-center masterworks like Blue Decco (Thirsty Ear, 2000), Sustain (Thirsty Ear, 2002), and teaming with pianist Lucian Ban on Transylvanian Concert (ECM Records, 2013) and sitting in on a compelling sideman slot on Ches Smith's The Bell (ECM Records, 2016). On Sounding Tears, Maneri's first recording as a leader in twelve years, the viola-ist brings in, again, ...

1
Live Review

Lucian Ban & Mat Maneri Tuba Project featuring Billy Hart at Cornelia St. Café

Read "Lucian Ban & Mat Maneri Tuba Project featuring Billy Hart at Cornelia St. Café" reviewed by Tyran Grillo


Lucian Ban & Mat Maneri Tuba Project featuring Billy Hart Cornelia St. Café Greenwich Village, NY February 13, 2016 Violist Mat Maneri and pianist Lucian Ban, whose Transylvanian Concert (released 2013 on ECM) gave listeners access to some of the most forward-thinking chamber jazz in recent memory, teamed up with drummer Billy Hart, altoist Bruce Williams, and tuba master Bob Stewart at Cornelia St. Café for a night of lightly composed, heavily improvised music.

Album Review

Lucian Ban – Mat Maneri: Transylvanian Concert

Read "Transylvanian Concert" reviewed by AAJ Italy Staff


Nato in Romania nel 1969 (quindi esattamente coetaneo di Mat Maneri), Lucian Ban viene da studi classici (e si sente), dopo di che, nel '99, si è trasferito a New York, abbracciando (anche) la causa dello sperimentalismo jazz. I frutti di questo processo si avvertono compiutamente in questo bellissimo album live, che lo pone di fatto sotto un cono di luce finora mancatogli. L'acquisto è di quelli che non si dimenticano: quattro temi suoi, due del violista (che arrangia anche ...

Album Review

Motian Sickness: For the Love of Sarah

Read "For the Love of Sarah" reviewed by AAJ Italy Staff


All'inizio del 2011 lo String Choir di Joel Harrison aveva pubblicato un suggestivo album sulle composizioni di Paul Motian (intitolato Music of Paul Motian, appunto) legando i suoni (elettrici e non) della chitarra sua e di Liberty Ellman, a quelli di un eterodosso quartetto d'archi comprendente anche Dana Leong al violoncello e Mat Maneri alla viola. A un anno esatto di distanza e a pochi giorni dalle scomparsa del grande batterista, scopriamo con piacere un nuovo lavoro coi suoi temi ...

98
Album Review

Mat Maneri / Denman Maroney: Distich

Read "Distich" reviewed by Nic Jones


Distich is a duo testing the limitations of its instrumentation. Mat Maneri brings his 5-string viola to bear and Denman Maroney his piano, on music that to all intents and purposes is concerned largely with new sonic possibilities.

This is especially pertinent in view of what might be called Maroney's extended use of the piano, through which he utilizes other elements of the instrument apart from the keyboard itself. The end result is a program of music as soundscape, in ...


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