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Jazz Articles about Mark Ivester
Jovino Santos Neto Quarteto: Mais Que Tudo: Live at Kerry Hall 1995
by Bruce Phares
Sit down. Put on the best earphones you've got. A seatbelt wouldn't hurt, either. Get ready to be blown away. From the opening salvo of Jovino Santos Neto's dazzling composition “Metamorph," you're about to be taken on a musical journey of intense elation, abandon, and passion, engaging and urgent in all aspects, through the many twists and turns of what now is considered a legendary concert; the first time Seattle ears were given a chance to hear these amazing songs ...
Continue ReadingFrancesco Crosara: Circular Motion
by David Adler
"I refuse to be labeled a 'straight-ahead' player or a 'fusion' player," says Italian-born, Seattle-based pianist Francesco Crosara. It's a sentiment widely shared by jazz musicians, though they follow many different roads to get to that place. Crosara, for his part, plays both acoustic piano and Yamaha MODX-8 synthesizer on this absorbing, varied program of original music for three different trio lineups, two of them with electric bass. He cites the influence of Chick Corea, a mentor and family friend ...
Continue ReadingDmitri Matheny: Cascadia
by Jack Bowers
Cascadia encompasses an hour of amiable, even-tempered jazz from trumpeter Dmitri Matheny who, like several of his predecessors—Chet Baker, Chuck Mangione, Guido Basso and his mentor, Art Farmer, among them—focuses exclusively on flugelhorn. Matheny uses his gorgeous tone and remarkable lyricism to paint exquisite portraits in sound throughout a program whose ten engaging numbers enfold half a dozen of his original compositions. Matheny shares the front line with saxophonist Charles McNeal whose solos (on soprano or tenor ...
Continue ReadingDmitri Matheny: Cascadia
by Dan McClenaghan
Flugelhornist Dmitri Matheny and his quintet play perfectly on Cascadia. There is no surprise there—with a rhythm section of pianist Bill Anschell, bassist Phil Sparks and drummer Mark Ivester backing the front line of Matheny and saxophonist Charles McNeil— perfection is the expectation. Matheny grew up in Georgia and Arizona, spent a formative and near-obligatory stint in New York City, and played for a time in the band of pianist Amina Figarova—another jazz artist who knows something about ...
Continue ReadingEd Johnson & Novo Tempo: The Other Road
by Michael P. Gladstone
It has been three years since Movimento (Cumulus, 2004), the last album from singer/guitarist Ed Johnson & Novo Tempo, and the wait has been worth it. The Other Road , from this San Francisco Bay Area ensemble, evokes vivid memories of Brazilian samba and bossa nova music before the Tropicalia Movement introduced rock music into the menu of the first wave of bossa singer/songwriters in the early 1970s. At the same time, despite numerous re-awakenings of acoustic samba music, where ...
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