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608

Live Review

Maria Schneider Flies into Boston: "Look, Up in the Sky! It's an Orchestra!"

Read "Maria Schneider Flies into Boston: "Look, Up in the Sky! It's an Orchestra!"" reviewed by Jason West

by Jason West

Maria Schneider Orchestra Berklee Performance HallBoston, Massachusetts November 17, 2007 The power of Maria Schneider's musical imagery calls to mind a variation on a superhero movie tagline: “You will believe a band can fly." And fly they did on what was their Boston debut, with the orchestra's diminutive blonde bandleader, adorned in matching black slacks and blouse, piloting her 18-piece supergroup and a capacity audience on an expansive, multifarious aural flight around the globe. ...

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255

Album Review

Maria Schneider Orchestra: Sky Blue

Read "Sky Blue" reviewed by Michael P. Gladstone

by Michael P. Gladstone

It will be very surprising if Maria Schneider's Sky Blue is not named as one of the most treasured albums of 2007. The album brings together the teachings of her mentor, Gil Evans, and, to some extent, the sweeping panoramas of Aaron Copland into a majestic orchestral setting. There is no question that Schneider's contributions as a composer have never been so important, with these compositions inspired by her real life experiences, and performed by the ensemble of the Orchestra ...

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487

Interview

Maria Schneider: Raising the Bar

Read "Maria Schneider: Raising the Bar" reviewed by Tom Greenland

by Tom Greenland

Maria Schneider, one of the most innovative big band composer/arrangers of the past two decades, is on a roll--in an era of declining record sales and rising recording costs, she is flying high. Sky Blue (2007), her second release through ArtistShare, has garnered considerable accolades; largely fan-funded, the album is not only an artistic triumph but a product and paragon of the new jazz business model. In a recent conversation, Schneider shared her thoughts on femininity, musical influences, writing, audiences ...

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1

Album Review

Maria Schneider: Sky Blue

Read "Sky Blue" reviewed by AAJ Italy Staff

by AAJ Italy Staff

La ArtistShare è una casa discografica che si fonda su di una idea produttiva intelligente alla quale, con successo, stanno aderendo molti artisti americani. In pratica si tratta di trovare fans e appassionati disponibili ad autotassarsi secondo diverse possibilità e impegni per ricoprire il ruolo di produttori di un progetto discografico sul quale l’artista ha un controllo pressoché completo. Questi micro-produttori assumono un ruolo importante in tutte le fasi del progetto e vengono costantemente aggiornati e coinvolti, potendo in qualche ...

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335

Album Review

Maria Schneider Orchestra: Sky Blue

Read "Sky Blue" reviewed by Jeff Dayton-Johnson

by Jeff Dayton-Johnson

The warmest of accolades have already been heaped upon Maria Schneider's new record, and deservedly so. How, everyone seems to wonder, could Schneider possibly top the Grammy-winning Concert in the Garden (ArtistShare, 2004)? Forget that. How could she possibly top the first four minutes of “The Pretty Road," the track that opens Sky Blue? Somehow, Ingrid Jensen's long and suitably airy solo lifts the piece higher still. And then there are four more incredible numbers...Beyond the oft-remarked lineage ...

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342

Album Review

Maria Schneider Orchestra: Sky Blue

Read "Sky Blue" reviewed by Budd Kopman

by Budd Kopman

Maria Schneider and her orchestra (and yes, it is an orchestra and not a band) demonstrate everything that is right with ArtistShare specifically and jazz in general, with the miraculous Sky Blue being but the latest example. In a perfect world, ArtistShare would not have to exist, since record companies would deal honestly with the artist and music lovers would actually buy the records and not expect everything digital to be free. However, since ...

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303

Album Review

Maria Schneider Orchestra: Sky Blue

Read "Sky Blue" reviewed by John Kelman

by John Kelman

There's a reason that composer/bandleader Maria Schneider calls her large ensemble an orchestra. The term “big band suggests a number of inherent expectations relating to historical tradition. Schneider's group may be configured like a big band--five reeds, four trumpets, four trombones with an expanded rhythm section--but the music she writes delves into territories considerably farther afield. Sky Blue is a logical follow-up to her Grammy Award-winning Concert in the Garden (ArtistShare, 2004), but there's been significant evolution as well.

Even ...

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