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About Madeleine Peyroux
Madeleine Peyroux at Yoshi's Oakland
by Walter Atkins
Madeleine Peyroux Yoshi's Oakland Oakland California October 27, 2015 Madeleine Peyroux flew into the comfortable confines of Yoshi's Oakland for a two-day mid week stand. On this Tuesday evening, she featured hit songs from her first anthology album Keep Me in Your Heart for a While: The Best of Madeleine Peyroux (Rounder, 2014). The opening night's second set showcased her personalized blend of blues, jazz and country. Her trio included veterans Jon Herington and Barak ...
Continue ReadingMadeleine Peyroux: Keep Me In Your Heart For A While: The Best Of Madeleine Peyroux
by C. Michael Bailey
Vocalist and composer Madeleine Peyroux has a stylistic reach well beyond that of jazz. Her only peer in this respect is Nora Jones. True, she has a great fascination with Billie Holiday, but she has managed to assimilate this influence into her own presence and parlay it into the para-jazz realm with intelligent programming and song choice. These have been the hallmark of Peyroux's art over her six recordings. Peyroux's music is beautifully crafted and organic with ...
Continue ReadingMadeleine Peyroux: The Blue Room
by C. Michael Bailey
The nucleus of Madeleine Peyruoux's The Blue Room is Ray Charles' Modern Sounds In Country And Western Music (ABC, 1962). It was an idea percolating in the brain of long-time Peyroux producer Larry Klein, who was considering a re-examination of the Charles classic and evolved into something more than a simple homage, something with the same intention as Charles had fifty years ago. Collaborating with Peyroux, Klein decided on other songs the two favored, adding to the Charles Country canon ...
Continue ReadingMadeleine Peyroux: Bare Bones
by Marcia Hillman
Bare Bones, is vocalist Madeleine Peyroux's third in the last four years and most personal, since she was involved in the writing of all 11 tracks and providing lyrics that are highly introspective. Peyroux also accompanies herself on acoustic guitar throughout. Her core band is Jim Beard (piano and Wurlitzer), Dean Parks (electric guitar), Larry Klein (bass) and drummer Vinnie Colaiuta, with additional instrumentalists on some of the tracks, including Larry Goldings (both Hammond and Estey organs), Carla Kihlstedt (violin) ...
Continue ReadingMadeleine Peyroux: Half the Perfect World
by Aaron Basiliere
On Half the Perfect World, southern-born chanteuse Madeleine Peyroux follows in the footsteps of the collaborative Got You On My Mind (Waking Up, 2004), creating a pleasant medley of jazz, blues, and pop. With her backing band and Billy Holiday-inspired vocals, Peyroux crafts her own renditions of songs from the likes of folk-rock heroes Leonard Cohen, Tom Waits, and Joni Mitchell. Whether in the key of jazz or blues, Peyroux has certainly fashioned an album that's both coffeehouse-ready, and fit ...
Continue ReadingMadeleine Peyroux: Half The Perfect World
by Suzanne Lorge
Madeleine Peyroux confidently walks the line where jazz, country and blues collide--her understated vocals and Billie Holiday-esque phrasing are what pull the disparate elements of her performance together into an engaging pastiche. Peyroux's bailiwick is pop covers with stylized jazz arrangements: On the Leonard Cohen/Anjani Thomas title cut, “Half The Perfect World," her accompaniment is light Latin rhythm guitar, and in an unhurried duet with k.d. lang on Joni Mitchell's “River, minimal piano. Peyroux and lang share ...
Continue ReadingMadeleine Peyroux: Half The Perfect World
by Gina Vodegel
Madeleine Peyroux co-wrote four of twelve songs on Half The Perfect World. Leonard Cohen/Anjani Thomas connoisseurs will recognize the title, but not the track itself. Peyroux stripped it from Anjani's stilled elegance and turned it into a soft tropical breeze, a melancholy bossa nova with a sense of longing and desire that makes you wonder whether you should be happy or sad, or maybe even both. Although she's known, loved and rejected for evoking and provoking the ...
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