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Jazz Articles about Luques Curtis
Caleb Wheeler Curtis: Ain't No Storm
by Paul Rauch
Caleb Wheeler Curtis is a noted voice in the modern world of alto saxophone, in large part due to his association with fellow artists. Most significantly, his work with Philadelphia-based pianist Orrin Evans and the “village" of creative participants within has put a spotlight on his style which attaches itself to tradition while exhibiting a willingness to explore new territory. On his most recent release Ain't No Storm, he presents eleven original compositions that feature fellow Evans bandmates Mark Whitfield ...
Continue ReadingLisa Hilton: More Than Another Day
by Peter J. Hoetjes
Pianist and composer Lisa Hilton's More Than Another Day is yet another effort reacting to the gloom which hung over the music industry in 2020. That does not mean the album is necessarily bleak. A brief survey of the cover photography will tell a very different story. Donning a wide-brimmed hat, blonde hair splayed out over a black summer dress, carrying a bouquet of white roses in one hand and a weathered, vintage suitcase in the other, Hilton seems to ...
Continue ReadingLisa Hilton: More Than Another Day
by Mike Jurkovic
It's very comforting to know that, as Annus Horribilis (2020) crashes to its long awaited, cursed demise, pianist/composer Lisa Hilton delivers, as she has faithfully over the past few years, a year-end gift to aficionados everywhere with her soulfully bluesy More Than Another Day. When you consider all our anxious caution for the year ahead, More Than Another Day may be a more laid back affair given 2019's watermark Chalkboard Destiny (Ruby Slippers Productions), 2018's ascendant Oasis (Ruby ...
Continue ReadingOrrin Evans and the Captain Black Big Band: The Intangible Between
by Paul Rauch
Pianist Orrin Evans has a deep understanding of the unshakeable bond between fellowship, humanity and the creative process. That knowledge has guided him through creating a remarkable catalog of music as both a leader and sideman, along the way, experiencing the fellowship of a collective of musicians he often refers to as “The Village." The Village is indeed real, and most aptly expressed musically through the The Captain Black Big Band, Evans' ensemble of anywhere between nine and ...
Continue ReadingThomas Marriott: Trumpet Ship
by Paul Rauch
In a day and age when social and personal narratives pervade the jazz recording medium, it is a welcoming feeling to experience a recording of superb jazz musicians playing music in the moment the way it's supposed to be played—for the people. For his spring 2020 quartet release Trumpet Ship (Origin, 2020), Seattle-based trumpeter Thomas Marriott has summoned a powerhouse quartet that hits hard from the outset and never lets up. He has convened a band that shares ...
Continue ReadingThomas Marriott: Trumpet Ship
by Dan McClenaghan
Spontaneity rules. Seattle-based trumpeter Thomas Marriott had a day off from touring with his quartet, so he decided to go into the studio and record an album: Trumpet Ship. His twelfth outing for Origin Records—all of them reaching for the stars, all of them getting there—this quartet album lines up after his stop-you-in-your-tracks gorgeous Romance Language (Origin Records, 2018). A tough act to follow. Marriott and his band follow it well, with a sound which is freer, but every bit ...
Continue ReadingStafford Hunter: Continuum
by Paul Rauch
Stafford Hunter is known as a trombonist who grew out of the modern paradigm set by Steve Turre. He also shares a unique quality with Turre, in that he is an expert player of conch shells in the jazz idiom, joining him in the ensemble, Steve Turre and Sanctified Shells. While this tie with Turre is a logical conclusion, the dots don't quite connect in terms of playing trombone in jazz. While his association with the Duke Ellington ...
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