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About Lucian Ban

9

Album Review

Lucian Ban / Mat Maneri: Transylvanian Concert

Read "Transylvanian Concert" reviewed by John Kelman

by John Kelman

It's been six years since Mat Maneri last appeared on ECM, collaborating with singer Robin Williamson on the British traditionalist's exploratory The Iron Stone (2007); even longer since the violist shared a marquee for the German label, on 2004's Angles of Repose, with his now-deceased father, microtonal reed player Joe Maneri, and bassist Barre Phillips; even longer, still, since he last released an album as a full leader, with his solo recital Trinity (2001). All of which makes Maneri's return ...

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273

Album Review

Lucian Ban / John Hebert: Enesco Re-Imagined

Read "Enesco Re-Imagined" reviewed by Raul d'Gama Rose

by Raul d'Gama Rose

The life and music of the prodigiously talented Romanian violinist, composer and conductor, George Enesco has been well-preserved and generously honored--not simply by the cognoscenti, but by the appreciative audiences of Romania's George Enesco Festival, that was set up to propagate the music of the composer beyond its preservation in the museum that bears his name in Bucharest. This ingenious album of some of his best-loved work, by another extremely talented Romanian-born pianist and composer, Lucian Ban, is hardly surprising, ...

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937

Interview

Lucian Ban: Transylvania's Rhapsody in Blue

Read "Lucian Ban:  Transylvania's Rhapsody in Blue" reviewed by Jason West

by Jason West

One of the most creative new musicians on the New York City scene, Lucian Ban is a Transylvanian pianist and composer whose collaborations with fellow NYC jazzers continue to produce a burgeoning collection of original music. Recordings with Bob Stewart, Alex Harding, and Jorge Sylvester highlight Lucian's prodigious recent output, a body of work that includes five releases in the last five years.Raised in the tiny farming village of Teaca, situated in the center of Transylvania, Ban grew ...

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1

Album Review

Lucian Ban & Alex Harding: Tuba Project

Read "Tuba Project" reviewed by AAJ Italy Staff

by AAJ Italy Staff

Che il jazz sia una musica internazionale è ormai un dato di fatto ed un'affermazione quasi scontata, eppure ci sono ancora dei musicisti che, spostatasi dalla periferia del mondo a New York, riescono a dare nuovi impulsi. Il pianista transilvano Lucian Ban da alcuni anni collabora con il sassofonista baritono Alex Harding. Le sue composizioni ed arrangiamenti sono un ottimo esempio di come sia possibile fare jazz mainstream con originalità rinnovando questo linguaggio dall'interno: nella sua scrittura troviamo pochi riferimenti ...

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398

Album Review

Lucian Ban & Alex Harding: Tuba Project

Read "Tuba Project" reviewed by Derek Taylor

by Derek Taylor

Several years have elapsed since Lucian Ban and Alex Harding's last CIMP collaboration, but their artistic rapport has only deepened in the interim. Their latest project carries a signifier that stresses the novelty of the instrumentation. The duo dispenses with string bass completely. In its stead, Bob Stewarts' bulbous, bell-shaped horn sits as co-resident of the bottom end, right alongside Harding's heavyweight sax. Stewart slides naturally into the brass bass role standard to early-20th Century street bands, but also steps ...

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307

Album Review

Lucian Ban / Alex Harding: The Tuba Project

Read "The Tuba Project" reviewed by Jeff Stockton

by Jeff Stockton

Lucian Ban (piano) and Alex Harding (baritone saxophone) have previously recorded for CIMP as a duet (Something Holy) and as part of a quintet (Premonition), as well as on the recently released quartet disc The Calling (Jazzaway). As for The Tuba Project, the title tells the tale. The quintet centers around Bob Stewart's burping tuba bass lines. He, Harding and tenor man JD Allen make a formidable front three. A group with this much rhythmic sense is ...

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349

Album Review

Lucian Ban and Alex Harding: The Tuba Project

Read "The Tuba Project" reviewed by Budd Kopman

by Budd Kopman

With The Tuba Project, Lucian Ban and Alex Harding have put together a raucous, bluesy, energetic, and at times ecstatic album. Drawing from deep roots in jazz and Afro-American music, these musicians play with a contagious abandon. The CIMP recording technique, which takes great care in capturing the sound of the band live and uses no post-processing, works to great effect here. The record sounds very alive and in-the-moment, with a very palpable feeling of being there. ...

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