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Jazz Articles about Lars Scherzberg


About Lars Scherzberg

Album Review

Lars Scherzberg: Top Floor Encounter

Read "Top Floor Encounter" reviewed by John Chacona

by John Chacona

The first phase of jazz was characterized by melodic improvisation. In its second phase improvisers dealt with harmony and, in the current phase, density is the improviser's concern. So says Anthony Braxton—if I understand him correctly (if anyone does). If so, then Top Floor Encounter may be as characteristic of our time as Armstrong's “Weatherbird" was to the first phase of jazz or Trane's “Giant Steps" was to the second. I didn't say “as important as" or “as good as"—only ...

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Album Review

Lars Scherzberg-John Hughes-Jeff Arnal: Top Floor Encounter

Read "Top Floor Encounter" reviewed by Glenn Astarita

by Glenn Astarita

German composer, Dietrich Eichmann’s “Oaksmus” label is rooted within free jazz, avant-garde classical and electronics-based formats. Here, Americans, Jeff Arnal (percussion) and John Hughes (bass) align their wares with German alto saxophonist, Lars Scherzberg for a program consisting of nine free-style opuses that often spur notions of the British free jazz movement.A graduate of Vermont’s prestigious “Bennington College,” Jeff Arnal has been shedding with New York City-based saxophonist, Blaise Siwula and Baltimore’s fine bassist/composer, F. Vattel Cherry. On ...

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