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Chad McCullough: The Charm of Impossibilities
by Jack Bowers
At its core, trumpeter Chad McCullough's album, The Charm of Impossibilities is an homage to the music of classical composer Olivier Messiaen, whose singular approach to composition has inspired McCullough since he first happened upon works by the French writer soon after the turn of this century. He writes, “Messiaen's music is so complex in structure, yet still accessible to the casual listener and completely overwhelming emotionally." His plan for the album was to transpose Messiaen's concepts to a setting ...
Continue ReadingRich Willey: Puttin' On the Ritz
by Nicholas F. Mondello
When Irving Berlin wrote “Puttin' On the Ritz" in 1927 on a unique “transposing piano" tuned to his preferred key of F#, little could he ever know that one day, among the myriad numbers of covers of the tune, that it would title an album that features, among other attractions, Electronic Voice Instrument “wah-wah" solos. Putting that on hold, Rich Willey's effort apes the concept of that tune as an elegant effort. “Puttin' On the Ritz" offers ...
Continue ReadingChad McCullough: The Charm of Impossibilities
by Dan McClenaghan
Trumpeter Chad McCullough encountered classical composer Olivier Messiaen's “Quator pour la fin du temps" back in the early days of his jazz career. That music was written in 1940 by Messiaen to be played by a chamber ensemble consisting of the composer's fellow inmates in a German prison camp. McCullough's The Charm Of Impossibilities takes its inspiration from this classical work. McCullough describes Messiaen's chamber piece: “Complex in structure, yet still accessible to the casual listener and completely ...
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