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Album Review

Gerry Gibbs Thrasher Dream Trio: Live In Studio

Read "Live In Studio" reviewed by Angelo Leonardi


È possibile che il nome di questa formazione e il suo stesso leader non vi dicano molto ma guardate chi sono gli altri protagonisti e gli ospiti coinvolti. Il pianista Kenny Barron e il bassista Ron Carter completano il trio mentre si aggiungono Roy Hargrove in quattro brani e Cassandra Wilson in tre. Senza esagerare è uno dei dischi più seducenti che ho ascoltato negli ultimi anni con un repertorio di gran classe che spazia da temi di Burt Bacharach ...

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Live Review

Kenny Barron’s Platinum Trio with George Mraz and Lewis Nash

Read "Kenny Barron’s Platinum Trio with George Mraz and Lewis Nash" reviewed by Patricia Myers


Kenny Barron's Platinum Trio with George Mraz and Lewis Nash The Nash Third Anniversary Concert Phoenix, Arizona November 17, 2015 Pianist Kenny Barron brought his Platinum Trio with bassist George Mraz and drummer Lewis Nash to perform two classy concerts as part of the third anniversary celebration of The Nash, a jazz venue named for the Phoenix-born musician. This trio, formed in 2013 at the North Sea Jazz Festival in The Netherlands, ...

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Album Review

Gerry Gibbs Thrasher Dream Trio: Live In Studio

Read "Live In Studio" reviewed by Dan Bilawsky


Drummer Gerry Gibbs has been living a recurring dream with slight variations for the past few years. In December of 2012, he laid down tracks with two of his idols--the legendary Ron Carter and the estimable Kenny Barron--and dubbed their group the Thrasher Dream Trio. The eponymous debut from that band, featuring fifteen tracks recorded at those sessions, was, not surprisingly, a strong and classy affair filled with standards, some originals, and other jazz-friendly fare, such as Stevie Wonder's “Don't ...

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Live Review

Paris Jazz Diary: Pianists Kenny Barron, Harold Mabern, Bill Charlap

Read "Paris Jazz Diary: Pianists Kenny Barron, Harold Mabern, Bill Charlap" reviewed by Patricia Myers


Paris Jazz Diary 2015: Pianists Kenny Barron, Harold Mabern, Bill Charlap Duc des Lombards, Sunside-Sunset Jazz Clubs Paris, France July 3, July 4, July 14, 2015 New York City pianists Kenny Barron, Harold Mabern and Bill Charlap led trios in three separate concerts as part of a pair of annual summer-season jazz series in Paris. Barron was as elegant as always, filling Duc des Lombards with his graceful strength and polished style. Intensity ...

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Live Review

Kenny Barron & Dave Holland at Queen Elizabeth Hall

Read "Kenny Barron & Dave Holland at  Queen Elizabeth Hall" reviewed by Ian Patterson


Kenny Barron & Dave Holland/The Jeremy Monteiro Trio Queen Elizabeth Hall EFG London Jazz Festival 21 November, 2014 The prospect of Kenny Barron and Dave Holland performing as a duo was a mouthwatering one. Both are well versed in the format. In 1971 Holland combined with Derek Bailey and then with Barre Phillips on ECM; Barron recorded in duet with Ted Dunbar in 1975. Since then Barron has conversed one on one with Regina ...

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Extended Analysis

Gerry Gibbs Thrasher Dream Trio

Read "Gerry Gibbs Thrasher Dream Trio" reviewed by Chris M. Slawecki


Drummer, composer and bandleader Gerry Gibbs--son of renown vibes player and bandleader Terry Gibbs--grew up playing with musical legends from jazz traditionalists such as Clark Terry and James Moody, to Gary Bartz and Sam Rivers and other more adventurous conceptualists, to Parliament-Funkadelic and other artists who skirt the fringes in between. Gibbs' exceptionally dexterous work with pianists includes time spent in performance with bands led by Cedar Walton, Danilo Pérez, Kenny Kirkland and Brad Mehldau. Teamed here with two extraordinary ...

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Album Review

Kenny Barron/Gerry Gibbs/Ron Carter: Gerry Gibbs Thrasher Dream Trio

Read "Gerry Gibbs Thrasher Dream Trio" reviewed by Dan Bilawsky


When drummer Gerry “The Thrasher" Gibbs was a youngster, growing up in California in the '70s, he idolized bassist Ron Carter and pianist Kenny Barron. Of course, neither man played his instrument of choice, but he recognized the greatness that emanated from both players and he viewed them as exemplars of what's right and good in jazz. He sought out and savored every album that he could find that each man appeared on and dreamt of playing with them; that ...


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