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Jazz Articles about Ken Vandermark
Svetlost with Ken Vandermark and Paal Nilssen-Love at Jazzbina Pula
by Petra Cvelbar
Tim Daisy and Ken Vandermark: Fourth Atlas
by John Sharpe
True to its title, Fourth Atlas is the fourth album by the Chicago twosome of reedman Ken Vandermark and drummer Tim Daisy. Daisy was a member of the esteemed Vandermark 5 from 2002 to its demise in 2010, and the association has only deepened since. More than shared history, they enjoy a a shared aesthetic and profound appreciation for form. As a result this set of eight cuts, while credited to both and presumably spontaneously realized, could easily be mistaken ...
Continue ReadingSvetlost, Ken Vandermark & Paal Nilssen-Love at MKC, Skopje
by Nenad Georgievski
Svetlost, Ken Vandermark & Paal Nilssen-Love MKC, Skopje Skopje, Macedonia April 16th, 2025 There was no prelude, no soft landing. The first notes of “Puma in the Corner" leapt into the air like a wild animal, chaotic and alert. A shriek above our heads--someone channeling emotion so openly it felt like a roaring animal. The energy crackled as the musicians locked in, and then burst apart again. Svetlost, the Skopje-based free jazz trio, opened this ...
Continue ReadingEdition Redux: Broadcast Transformer
by Mark Corroto
Ken Vandermark has long made it a priority to dedicate nearly all of his compositions to other artists. From painters and photographers to writers, poets and fellow musicians, his influences span a wide artistic spectrum. Film, in particular, has been a significant source of inspiration for this long-time Chicago resident. While Vandermark has composed two commissioned soundtracks--Strade D'Acqua / Roads Of Water (Multikulti Project, 2010) and Parallax Sounds (Just Temptation Recordings, 2014)--his approach to music consistently embodies a cinematic scope. ...
Continue ReadingKen Vandermark’s Edition Redux at BOP STOP at The Music Settlement
by John Chacona
Ken Vandermark's Edition Redux BOP STOP at The Music Settlement Cleveland, OH February 27, 2024 Every jazz concert brings an experience that you've never had before and likely weren't expecting. In the case of the Cleveland concert by protean saxophonist Ken Vandermark's Edition Redux, the source was a new Apple Watch that helpfully issued a dangerous sound level warning when the volume inside BOP STOP hit 97 decibels. The concert was the band's ...
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