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Jazz Articles about Kari Ikonen


About Kari Ikonen

11

Album Review

Orchestra Nazionale Della Luna: Selene's View

Read "Selene's View" reviewed by Ian Patterson

by Ian Patterson

In the interests of full disclosure let us dispense with the notion that Orchestra Nazionale Della Luna is an Italian band. Or an orchestra. ONDL was founded by Finnish pianist Kari Ikonen and Belgian saxophonist/flautist Manuel Hermia in 2015, with additional Belgians in the shape of double bassist Sébastien Boisseau and drummer Teun Verbruggen making the quartet arguably the most important Finnish-Belgium exchange since Finland and Belgium first traded fuel for cars and tractors. As for the claim to lunar ...

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1

Radio & Podcasts

One Man’s Jazz Show 1200th Show Special

Read "One Man’s Jazz Show 1200th Show Special" reviewed by Maurice Hogue

by Maurice Hogue

This episode of One Man's Jazz marks the 1200th since its very first show at CKUW FM in Winnipeg. It moved over to taintradio.org in early 2012. One of the mantras of the show has always been that the show was about the music and the musicians who make it. I had no illusions of becoming--let along desires to be--some talking jazz head. So with that thought in mind, I decided to approach a number of artists about contributing a ...

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3

Radio & Podcasts

Kari Ikonen, Matt Piet, Alberto Pinton & Some New Year's Eve Dancin’

Read "Kari Ikonen, Matt Piet,  Alberto Pinton & Some New Year's Eve Dancin’" reviewed by Maurice Hogue

by Maurice Hogue

Faced with a New Year's Eve show, this one was extended by two hours, and the last three veered off into dancin' territory. There were some new releases sampled though. In hour one, Finnish pianist Kari Ikonen displays his considerable talents and his “maqiano" for playing Arabic half-tones, on his solo excursion Impressions, Improvisations & Compositions, and Swedish multi-reedist Alberto Pinton checked in with his new All The Difference. In the second hour, you'll hear more solo piano from Matt ...

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10

Album Review

Kari Ikonen: Impressions, Improvisations and Compositions

Read "Impressions, Improvisations and Compositions" reviewed by Rob Garratt

by Rob Garratt

Twentieth century artists were often known to power their creative process with a jazz soundtrack—Jackson Pollack's frenzied brushstrokes supposedly sparked by bebop horn spurts—while further back loftily enlightened Romantic composers often hoped to distill the essence of other mediums in their work—perhaps most famously with Mussorgsky's Pictures at an Exhibition. Jazz musicians taking sonic inspiration from the fruit of visual art may not be entirely uncommon, but for Kari Ikonen it's painterly methods, not products, which ...

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4

Radio & Podcasts

Wind, Frost & Radiation with Kari Ikonen

Read "Wind, Frost & Radiation with Kari Ikonen" reviewed by Nick Davies

by Nick Davies

This show features an interview with pianist Kari Ikonen where we discuss the strength and depth of the Finnish jazz scene as well as his recent trio's album Wind, Frost & Radiation, which is out on Ozella Music. The playlist also include lots of great new music from artists like Fred Hersch and Jessica Lauren. Playlist Fred Hersch “Bristol Fog (For John Taylor)" from Live in Europe (Palmetto) 1:49 Jan Roth “Herbst" from Kleinod (Sinnbus) 11:03 Jessica ...

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7

Multiple Reviews

Kari Ikonen: Bright and The Helsinki Suite

Read "Kari Ikonen: Bright and The Helsinki Suite" reviewed by John Ephland

by John Ephland

Kari Ikonen Trio Bright Ozella Music 2013 The 40-year-old Finnish keyboardist Kari Ikonen--first heard by this reviewer in a live context in his native homeland with another, much more open and unconventional trio Slo Motive--lets his jazz chops shine, his groove glisten and his range within the music flourish with these two releases. From the first bars of Bright with his frolicking swinger “Bapmgwala" it becomes apparent that Ikonen can be both lyrical and slightly ...

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132

Nordic Sounds

Karikko: Variations on a Theme

Read "Karikko:  Variations on a Theme" reviewed by Matthew Wuethrich

by Matthew Wuethrich

Siltasali Jyväskylä, Finland November 14, 2003

Ever since bebop and its progeny hard bop, jazz compositions have been vehicles built for soloing. Composers have written relatively simple unison melodies based on some kind of chord progression, both complex and simple. With some notable exceptions, in jazz compositions form (the melody/song structure) has generally followed function (the solo). Finnish pianist Kari Ikonen is working from the opposite direction, exploring the possibilities of powerful themes for smaller jazz ...

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