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Jazz Articles about Josh Evans

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Extended Analysis

Soundpath

Read "Soundpath" reviewed by Victor L. Schermer


Muhal Richard Abrams (1930-2017) was a revered pianist, composer and teacher of great capability and range who, in addition to his own achievements, inspired and influenced many jazz musicians in both the mainstream and avant-garde categories. Largely self-taught as a result of a personal decision to follow his own path, and early on pursuing church music, big band, blues, bebop and avant-garde jazz in his home city of jny: Chicago, he grasped music from its roots, and so was able ...

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Album Review

Sasha Mashin: Happy Synapse

Read "Happy Synapse" reviewed by Mike Jurkovic


Whoa! Russian born drummer Sasha Mashin kicks off his high-flying second disc with the crackling, manically modal, high-powered, retro-Impulse! speed-buzz of “The Hidden Voice," written by fevered alto-saxophonist Rosario giuliani, and Happy Synapse barely lets up from there. It is a sweet sound, a really, really sweet sound. Mashin intros “The Hidden Voice" like a flash bomb. Pianist Benito Gonzalez block chords in like McCoy Tyner behind Elvin Jones and it is off to the races as Giuliani, ...

11
Album Review

Makar Kashitsyn: Jazz Animals

Read "Jazz Animals" reviewed by Troy Dostert


Straight outta St. Petersburg, Rainy Days Records has done a splendid job of documenting some of the strongest emerging voices in Russian jazz, starting with drummer Sasha Mashin's superb Outsidethebox in 2018. Mashin's debut release belied his youth with an assured poise and dynamic vision, and here we have yet another wonderful first outing: alto saxophonist Makar Kashitsyn's Jazz Animals. In keeping with the spirit of this no-longer-fledgling label, Kashitsyn showcases the kinetic energy and breadth of concept Rainy Days ...

17
Album Review

Jazzmeia Horn: Love & Liberation

Read "Love & Liberation" reviewed by Ian Patterson


It's a big step for any singer, the move from interpreter of jazz standards to songwriter. And when you've been Grammy-nominated for a debut album of covers, as Jazzmeia Horn was with A Social Call (Prestige, 2017), the temptation must be to carry on in the same vein. Horn, however, clearly has greater ambition, as the eight originals on her follow-up attest. Not that she's thrown the baby out with the bathwater, for swing, blues, bebop, gospel and thrilling vocal ...

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Album Review

Earl MacDonald: Open Borders

Read "Open Borders" reviewed by Jack Bowers


Open Borders brings to the fore Canadian-born pianist Earl MacDonald's burnished tentet in a program that consists of eleven sunlit and swinging themes, five of which were composed by the leader. Besides writing, MacDonald did most of the arranging, and he excels in both arenas, as he does on piano (most notably on the standards “Blame It On My Youth" and “East of the Sun" as well as on Percy Mayfield's R&B classic “Hit the Road Jack" and his own ...

4
Album Review

Earl MacDonald: Open Borders

Read "Open Borders" reviewed by Mike Jurkovic


Not many piano led ensembles finds the pianist laying as far back in the musical dialogue as Earl MacDonald, who doesn't come anywhere near an extended solo until “Miles Apart" and Percy Mayfield's Ray Charles blow- out “Hit The Road Jack" (tracks five and six respectively). But that's just fine given that MacDonald has charted the conversations and man oh man, do these arrangements crackle with spirit.From the high-flying “Dig In Buddy" to the exhilarating Latin flavors “Dolphy ...

4
Album Review

Earl MacDonald: Open Borders

Read "Open Borders" reviewed by Dan Bilawsky


Politicians might do well to take a few pointers from pianist-arranger Earl MacDonald. As this fine album attests to, it's far better to build bridges than walls, and far more productive to open borders and dialogue than close hearts, minds, and doors. While MacDonald didn't initially set out to make a political statement with this recording, both the events of the day and the make-up of the marvelously tight dectet that brings this music to life got ...


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