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Jazz Articles about Jonathan Saraga

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Album Review

Erica Seguine: The New Day Bends Light

Read "The New Day Bends Light" reviewed by Angelo Leonardi


Impegnandosi nel ruolo di produttore, Darcy James Argue dà particolare considerazione al debutto discografico di quest'ensemble, fondato nel 2011 a New York dalle compositrici Erica Seguine e Shon Baker. La prima è anche arrangiatrice e guida dell'orchestra, la seconda entra nel cast come sassofonista. Dopo varie esibizioni in locali chiave della Big Apple, le due leader hanno selezionato sette composizioni originali dal loro repertorio, incidendole con un ampio organico comprendente talentuosi solisti della metropoli. Alcuni di essi ...

31
Album Review

Erica Seguine/Shon Baker Orchestra: The New Day Bends Light

Read "The New Day Bends Light" reviewed by Jack Bowers


The New Day Bends Light, the debut recording by the twelve-year-old Erica Seguine/Shon Baker Orchestra, is interesting on a number of levels, not the least of which is emotional. The leaders and their twenty-one piece ensemble are clearly committed to the music and do their best to breathe life into each of the album's seven numbers, three of which were written by Seguine, three by Baker and the other ("Ose Shalom") by Nurit Hirsh. Aside from that, there is the ...

9
Album Review

Alex Heffron: Looking Out

Read "Looking Out" reviewed by Hrayr Attarian


Based in Denver, Colorado, Alex Heffron is an imaginative guitarist and intelligent composer. His debut, the engaging Looking Out, demonstrates these talents amply. On it, Heffron leads a sextet consisting of like-minded musicians through an intriguing set of eight of his originals with elegant confidence and simmering passion. The title track opens the album with a charmingly effervescent mood. Over infectious rhythmic vamps, the frontline play the main theme with vibrant and muscular refrains. Heffron takes center stage ...

5
Album Review

Jonathan Saraga: Journey to a New World

Read "Journey to a New World" reviewed by Troy Dostert


It's been five years since Jonathan Saraga's debut release, First Vision, but the trumpeter's sophomore album was worth waiting for. Saraga's precise and passionate technique, combined with thoughtful, well- constructed compositions (and a couple nicely-arranged cover tunes) make for a stimulating listen that rewards on a number of levels. The record's title captures the feel of the music well, as each track pursues its own distinctive path, often developing in unexpected ways that are melodically rich and rhythmically sophisticated.

4
Album Review

Jonathan Saraga Quintet: First Vision

Read "First Vision" reviewed by Dan Bilawsky


When young artists release their first album, it's always tempting to say they “show potential" or “are off to a good start," but those comments tend to be kindly veiled takes on “you get an A for effort, but should have waited a bit longer." Jonathan Saraga need not worry about having such pacifying comments thrown his way; the trumpeter's First Vision isn't the stuff of amateurs on the brink of musical maturity, it's a stand-up-and-take-notice offering. ...

2
Album Review

Jonathan Saraga Quintet: First Vision

Read "First Vision" reviewed by Dan McClenaghan


Trumpeter Jonathan Saraga opens his debut, First Vision with the eleven-and-a-half-minute original, “Guidance," a probing rumination that flares up during his solo. The tune as a whole is a slow burn, but it bursts into high flames as it comes to its conclusion.The leader has assembled a fine quintet of standard configuration--two horns, a chording instrument (here, guitar), bass and drums. The music, all Saraga-penned, has an uncommon freshness coming from a 24 year-old artist who is well ...

3
Album Review

Jonathan Saraga: First Vision

Read "First Vision" reviewed by Hrayr Attarian


Award-winning trumpeter Jonathan Saraga's First Vision, is a skillfully conceived and exquisitely realized debut that brings to mind the edgy, envelope-pushing hard bop of many a Blue Note record in the early 1960s. The modal melodies are artfully orchestrated, allowing each musician the full breadth of his spontaneous creativity without resorting to unfettered clamor. Not a single note is wasted. Whether on trumpet or flugelhorn, Saraga's clear, elegiac tone weaves intricate musical tales around the themes. “Guidance," ...


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