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Jazz Articles about Jonathan Kreisberg

12
Album Review

Jonathan Kreisberg: Capturing Spirits - JKQ Live!

Read "Capturing Spirits - JKQ Live!" reviewed by Friedrich Kunzmann


Throughout his over 30 year-spanning career, Jonathan Kreisberg has made a name for himself that reaches beyond his reputation as a dexterous bop-guitarist that frames him as a leading composer of the modern jazz variety. Like any song from the sacrosanct repertoire of standards, Kreisberg's compositions reveal memorable heads with a cleverly wrought spin to them. His melodies exude as much ease as they do emotional depth and reappear in altered forms throughout a song--disguised as imitations or within sequences. ...

2
Multiple Reviews

Nylon Strings and Other Things: Albums by Jean Chaumont and Kreisberg/Veras

Read "Nylon Strings and Other Things: Albums by Jean Chaumont and Kreisberg/Veras" reviewed by Patrick Burnette


Nylon-string acoustic guitars don't crop up in jazz all that often, but when they do the results can be delightful. Below I discuss two very different albums which incorporate that distinctive sound. The Beauty of Differences Misfitme 2018 Jean Chaumont's album The Beauty of Differences bogs down in the middle in an unfortunate burst of worthy-mindedness but is otherwise entertaining and full of promise. Chaumont recorded the album for the ...

8
Album Review

Jonathan Kreisberg: Wave Upon Wave

Read "Wave Upon Wave" reviewed by Dan Bilawsky


Wave upon wave of praise has followed the release of each one of guitarist Jonathan Kreisberg's leader dates--small group affairs that are typically built with equal parts energy and taste; Wave Upon Wave, balancing fire with heart, stealth movement with direct engagement, and power with grace, is likely to garner some more. The fleet-fingered Kreisberg focuses on originals here, shifting between the mellow ("Being Human") and the charged ("Until You Know"). And through it all, regardless of ...

Album Review

Jonathan Kreisberg: One

Read "One" reviewed by AAJ Italy Staff


Il chitarrista Jonathan Kreisberg è già ben noto agli appassionati di jazz e di chitarra, ad esempio per la sua militanza nel trio dell'organista Dr. Lonnie Smith o nei gruppi del vibrafonista Joe Locke (leggi la recensione di Sticks and Strings). Dopo avere pubblicato a suo nome gli album The South of Everywhere (nel 2007) e Shadowless (nel 2011), si presenta nuovamente nel panorama discografico con questo album, affrontato in perfetta solitudine e senza ricorrere a sovraincisioni e trucchi vari. ...

3
Album Review

Jonathan Kreisberg: ONE

Read "ONE" reviewed by John Kelman


The liner notes may say no overdubs or loops were used, but Jonathan Kreisberg might just as easily have included that “No guitars were harmed in the making of ONE." Beyond work with artists like vibraphonist Joe Locke on Sticks and Strings (Music Eyes, 2007) and organist Dr. Lonnie Smith on Spiral (Palmetto, 2010), the guitarist has slowly built a personal discography that includes the particularly impressive The South of Everywhere (Mel Bay, 2007) and Shadowless (New for Now, 2011). ...

9
Catching Up With

Jonathan Kreisberg: From Shadowless to One

Read "Jonathan Kreisberg: From Shadowless to One" reviewed by Marta Ramon


Jonathan Kreisberg has filled a gap in the international jazz scene. This New York-based guitarist started with both rock and classical music, but from the beginning he paid attention to his father's great jazz music collection. For Kreisberg, jazz is a pure music based on feelings. He says that he first experienced the creative part of music by ear until J.B Dyas, his teacher in the New World School of the Arts, showed him how jazz worked.His charismatic ...

143
Album Review

Jonathan Kreisberg: Shadowless

Read "Shadowless" reviewed by Raul d'Gama Rose


Jonathan Kreisberg's music sounds so fresh and new that it seems to have escaped from a parallel universe through a virtual door--assaulting the senses in the known one--where everything else exists in brain-numbing manner. From the first notes he strikes, the guitarist creates a jolting spark, starting an accelerating fire that lights up the taut voices of Will Vinson's stormy saxophone, Matt Penman's palpitating bass, the shifting rhythms of drummer Mark Ferber...even rushing Henry Hey's otherwise pensive piano. For his ...


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