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Julieta Eugenio: Stay
by Angelo Leonardi
Dopo la cilena Melissa Aldana, s'impone a New York un'altra giovane sassofonista sudamericana, l'argentina Julieta Eugenio, di un anno e qualche mese più giovane. Come già fece Melissa nel 2010 con l'album Free Fall anche Julieta ha debuttato con un pianoless trio (Jump, Greenleaf 2022), organico che ora ripropone con gli stessi partner, il contrabbassista Matt Dwonszyk e il batterista Jonathan Barber. In due brani dell'album, Leo Genovese si aggiunge al Fender Rhodes. Gli ...
Continue ReadingJulieta Eugenio: Stay
by Dan McClenaghan
Argentina-born saxophonist Julieta Eugenio takes four breaths ("Breaths" I through IV), that she calls “short, intimate moments," in her ongoing endeavors in this (mostly) trio-format album. The saxophone, bass and drums setup is one of the most intimate. Think Sonny Rollins in Way Out West (Contemporary, 1957) and A Night At The Village Vanguard (Blue Note, 1958), a pair of uncluttered, groundbreaking, chordless outings that stand up as classics of the format. Eugenio has proven herself marvelously ...
Continue ReadingJonathan Barber: Blazing Forward
by K. Shackelford
Jonathan Barber is a force to be reckoned with. Pulling out a drum solo with just one high hat, making it an artful and meaningful rhythm to the composition at hand with intentional rhythmic sonority is rare. Yet this is one example of the ways that Jonathan Barber pulls out a surfeit of ideas from his drum set, which is a distinctive feature of his musical caginess. He's also taking jazz into a futuristic, digimodernism path. Recently, Barber ...
Continue ReadingSteve Davis: Correlations
by C. Andrew Hovan
Surely it must be considered a milestone to chalk up Correlations as Steve Davis' 20th session as a leader. Just contemplate how much the world has changed since the trombonist started turning heads as a member of Art Blakey's Jazz Messengers back at the start of the '90s. The record business in particular occupies a vastly different landscape than was once the norm, a fact that figures all the more prominently in the precarious nature of recorded jazz. As such, ...
Continue ReadingFelipe Salles: Tiyo's Songs Of Life
by Jack Bowers
Talk about remarkable origins; the music on Tiyo's Songs of Life, performed by tenor saxophonist Felipe Salles' quartet, was written by Tiyo Attallah Salah-El while he was serving a life sentence without the possibility of parole in a Pennsylvania prison. In spite of his circumstances, Salah-El never lost his love for life, an upbeat frame of mind that is ever-present in these nine sparkling originals. While imprisoned, he earned bachelor's and master's degrees and founded the Coalition for the Abolition ...
Continue ReadingFelipe Salles, Zaccao Curtis, Avery Sharpe, Jonathan Butler: Tiyo's Songs Of Life
by Dan McClenaghan
Embarking on an errant path in his youth led saxophonist Tiyo Attallah Salah-El to life in prison, without the possibility of parole. That is about as grim as it gets, but Salah-El, rather than giving in to defeat, turned himself into a behind-the-bars composer, author and activist. He passed in 2018, but his music came to the attention of saxophonist Felipe Sallas via prison abolitionist Lois Ahrens, who had befriended the imprisoned saxophonist Salaah-El, and even provided him with fifty ...
Continue ReadingJulieta Eugenio: Jump
by Hrayr Attarian
Listening to saxophonist Julieta Eugenio on the engaging Jump it is hard to believe this is only her debut. Her confident playing, warm, brassy tone and intelligent, spontaneous ideas belie her relative youth. Eugenio penned most of the music on Jump, so the release also showcases her superlative compositional skills. The poetic, loose-knit originals are perfectly suited to a trio with ample room for both individual expressions and collective performances. The taut and intriguing “Efes" opens the album ...
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