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Amanda Whiting: Lost In Abstraction
by Peter Jones
The revival in the fortunes of the harp has been one of the more unexpected developments in jazz: Brandee Younger's 2021 album Somewhere Different made an impact on both sides of the Atlantic. In the UK, the instrument has been finding favor in the hands of both Tara Minton and Alina Bzhezhinska. Now Wales' very own Amanda Whiting is coming up fast on the rails with this, her third album. Listening to Lost in Abstraction is a rich ...
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by Gareth Thompson
Ahh, the angelic harp, a symbol of celestial beings, Biblical healing, Irish identity and a rubbish lager. In jazz terms we think of the instrument in relation to Casper Reardon, Dorothy Ashby, Alice Coltrane and more recently Deborah Henson-Conant. A noble list of names if not exactly boundless. The harp is, after all, much less portable than a sax or trumpet, not to mention a good deal quieter. Then consider that odd grasping motion of playing, that strange conjuration of ...
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