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10

Album Review

Charlie Parker: Birth Of Bebop - Celebrating Bird At 100

Read "Birth Of Bebop - Celebrating Bird At 100" reviewed by Mark Corroto

by Mark Corroto

Let's face it, there is absolutely nothing new to say about the music of Charlie Parker, unless (insert joke here) you happen to be Phil Schaap. Lao Tzu's quote “The flame that burns twice as bright burns half as long" is fitting. John Coltrane was 40 when he died in 1967, Eric Dolphy 36 in 1964, and Clifford Brown died at 25 in 1956. Parker was dead at the age of thirty-five in 1955. His legend has grown larger with ...

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31

Radio & Podcasts

John Lewis @ 100 and More May Birthdays

Read "John Lewis @ 100 and More May Birthdays" reviewed by Marc Cohn

by Marc Cohn

May birthdays this week on G&M! Some big ones (of course): the John Lewis centennial, Dave McKenna @ 90, Arthur Blythe and Carlos Ward @ 80. It's also Stevie Wonder's 70th this month, and May celebrant salutes are in the house (Theo Hill, Ronnie Foster, Mel Lewis, and Groove Holmes) doing 'Wonderful' tunes. We also celebrate the births of Jack Walrath (with one of my desert island tracks), Betty Carter, Darrell Grant, the late Wallace Roney, as well as Miles ...

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206

Extended Analysis

Modern Jazz Quartet: The Complete Atlantic Studio Recordings 1956-64

Read "Modern Jazz Quartet: The Complete Atlantic Studio Recordings 1956-64" reviewed by Eugene Holley, Jr.

by Eugene Holley, Jr.

The Modern Jazz Quartet The Complete Atlantic Studio Recordings of The Modern Jazz Quartet 1956-64 Mosaic Records 2011 They were diverse in talent and temperament. John Lewis, the quiet and determined westerner, who told sound stories with his linear and logical blues-based pianisms; Milt “Bags" Jackson, the baggy eyed, Motor City vibraharp virtuoso; Percy Heath, the Philly bassist with deep, in-the-pocket basslines; Kenny Clarke, the bomb-dropping blacksmith of the beat from Pittsburgh; and Connie ...

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421

Extended Analysis

Modern Jazz Quartet: The Complete Atlantic Studio Recordings 1956-64

Read "Modern Jazz Quartet: The Complete Atlantic Studio Recordings 1956-64" reviewed by John Kelman

by John Kelman

Even now, nearly sixty years later, it seems improbable that a group which came together as the rhythm section for one of the hottest players in bebop's genesis era, trumpeter Dizzy Gillespie, could morph into a standalone group that was the epitome of grace, elegance and cool dignity. But that's exactly what happened when Gillespie recruited pianist John Lewis (1920-2001), vibraphonist Milt Jackson (1923-1999), bassist Ray Brown (1926-2002) and drummer Kenny Clarke (1914-1985), giving the quartet an opportunity to shine ...

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678

Extended Analysis

The Modern Jazz Quartet: The Music Inn

Read "The Modern Jazz Quartet: The Music Inn" reviewed by Elliott Simon

by Elliott Simon

...in our desire for beauty in all things we are open, and one in our search for that little city of gold where the flute-player never wearies, and the spring never fades, and the oracle is not silent, that little city which is the house of art, and where, with all the Music of the Spheres, and the laughter of the gods, Art waits for her worshippers-Oscar Wilde In 1950, while Senator McCarthy spearheaded his anti-artistic witch hunts, ...

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331

Album Review

The Modern Jazz Quartet: European Concert

Read "European Concert" reviewed by AAJ Staff

by AAJ Staff

Ironically, The Modern Jazz Quartet's European Concert album finally is released on CD for the first time just before the passing of the third member of the legendary group, reducing the survivors to one: Percy Heath, who also is a member of one of the leading family triumvirates in jazz. Listed as one of the favorite MJQ albums by many of its fans, European Concert initially was released as a double-album package documenting the group's performances throughout Scandinavia in 1960. ...

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218

Album Review

John Lewis: Evolution II

Read "Evolution II" reviewed by Craig Jolley

by Craig Jolley

Together with Thelonious Monk and Tadd Dameron John Lewis defined the art composition for the bop generation. Beyond that he led a jazz ensemble for many years, acted as musical director for festivals and concerts, pioneered the fusion of European classical music with jazz, served as a music educator, sponsored young, unknown musicians in their first recordings, organized a series of recordings that presented veteran jazz musicians in unusual and favorable circumstances, and accompanied horn players and singers on piano. ...

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