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Jazz Articles about Jerome Sabbagh


About Jerome Sabbagh

6

Multiple Reviews

Jerome Sabbagh: Purity Of Intent

Read "Jerome Sabbagh: Purity Of Intent" reviewed by Doug Collette

by Doug Collette

The extent to which a musician expends effort to develop his own voice usually correlates to the depth of expression that eventually emanates from the personal style thereof. So it is with saxophonist/composer/bandleader Jerome Sabbagh who, in the years he has spent nurturing his profile in the New York City jazz world, has concentrated on learning from a diversity of musicians in a variety of settings. Having thus played with rhythm experts Paul Motian, Bill Stewart and Rudy Royston and ...

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8

Album Review

Jerome Sabbagh: Stand Up!

Read "Stand Up!" reviewed by Joshua Weiner

by Joshua Weiner

While much great jazz has emerged from one-off encounters among musicians, there is a lot to be said for the synergy of longstanding working bands. The former may provide more spontaneity and produce fireworks, but it can also lead to the occasional dud due to a mismatch in approach. Players in a working band, in contrast, gain a deep knowledge of each other's artistic choices, learn what works and what does not, and--by definition--must be doing something right, since their ...

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13

Album Review

Jerome Sabbagh: Heart

Read "Heart" reviewed by Chris May

by Chris May

AAJ occasionally publishes reviews which call out the barbarism of digital-only albums (Heart is not one of these, please hang on in there). Item: the review of Brazilian saxophonist and flautist Vinicius Mendes' Macunaismo Tardio Vol. 1&2 (Notes On A Journey, 2024). The two albums collected on that vinyl double-LP, blinders both, were originally released separately as digital-only albums. Unsurprisingly, each failed to make any significant impact on jazz audiences either in Brazil or internationally. Notes On A Journey eventually ...

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18

Album Review

Pablo Ablanedo: Christreza

Read "Christreza" reviewed by Glenn Astarita

by Glenn Astarita

This LP clocks in at around 38-minutes and is a bit of a tease since it progresses rather quickly and may leave many listeners wanting more. Here, Argentine-reared pianist/composer/educator Pablo Ablanedo's compositional gifts often take on cinematic film scoring intonations and developments, executed with jazz luminaries who the artist met while attending the Berklee College of Music in 1999. Owing to his heritage, the leader infuses subtle Latin jazz foreground grooves into several movements, whereas the opener “La ...

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1

Album Review

Jerome Sabbagh & Greg Tuohey: No Filter

Read "No Filter" reviewed by Neri Pollastri

by Neri Pollastri

Il titolo di questo lavoro, cofirmato dal sassofonista Jerome Sabbagh e dal chitarrista Greg Tuohey, rimanda alla precisa intenzione di evitare, in sede di registrazione, qualsiasi tipo di effetto, sovraincisione ed editing, così da poter catturare il suono così come sgorgava dagli strumenti nel corso dell'interazione dei musicisti. Una scelta in controtendenza con quanto si è oggi soliti fare, ma in che certo modo rimanda anche alla storia dei due leaders, conosciutisi nel corso degli anni Novanta e poi persisi ...

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7

Album Review

Jerome Sabbagh and Greg Tuohey: No Filter

Read "No Filter" reviewed by Peter J. Hoetjes

by Peter J. Hoetjes

So much regard is given to audio quality in the 21st century that there has become something of an obsession with “purity." A desire for music that has no digital manipulation, no computers layering sounds together. As co-band leaders, Jerome Sabbagh and Greg Tuohey resolved to attain this quality on No Filter by recording the album without edits or overdubs, directly to analog tape. Everything the listener hears was captured in one take, on paper suggesting a live ...

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2

Album Review

Jerome Sabbagh, Simon Jermyn, Allison Miller: Lean

Read "Lean" reviewed by Vincenzo Roggero

by Vincenzo Roggero

Jerome Sabbagh fa parte di quella folta schiera di musicisti non usi alle luci dei riflettori mediatici o alle prime pagine, ma particolarmente stimati dai colleghi (non a caso Paul Motian lo volle fortemente nel nuovo trio messo in piedi poco prima della sua scomparsa). Se il suo biglietto da visita come leader è il quartetto nato nel 2004 con Ben Monder, Ted Poor e Joe Martin (tre album all'attivo particolarmente apprezzati dalla critica), interessante ci sembra anche questo trio ...

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