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Jan Bang e il Questionario di Proust

Read "Jan Bang e il Questionario di Proust" reviewed by Paolo Peviani

by Paolo Peviani

Il tratto principale della mia musica Mi interessa lavorare su cose molto concrete come il ritmo, la tessitura, la melodia, l'armonia. Come dice una mia buona amica, la cantante norvegese Sidsel Endresen: se hai tempo, allora tutto il resto alla fine si risolverà. La qualità che desidero nei musicisti che suonano con me Mi piace suonare con musicisti che hanno orecchie attente, che si ascoltano davvero tra loro e nel cui modo di ...

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8

Album Review

Eivind Aarset & Jan Bang: Snow Catches on her Eyelashes

Read "Snow Catches on her Eyelashes" reviewed by John Eyles

by John Eyles

Although they had been collaborating since the early 90s, the first recording on which the Norwegian guitarist Eivind Aarset and American-born, Norway-resident Jan Bang appeared together was Bang's Pop Killer (Virgin, 1998). In the years since, Aarset and Bang have collaborated on many more albums, but this is the first to credit them as a duo. Particular high spots in their collaborations have included Bang's album on David Sylvian's label ...and Poppies from Kandahar (Samishadsound, 2010), Aarset's Dream Logic (ECM, ...

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7

Album Review

Jan Bang: Narrative from the Subtropics

Read "Narrative from the Subtropics" reviewed by Nenad Georgievski

by Nenad Georgievski

Years ago, renowned film director Derek Jarman filmed a daring film called Blue where the viewers could only see a blue screen behind which the sounds from the scenes could be heard but not seen. This way, the viewers imagined the film based on the dialogues and the sound they heard, and placed their own images onto the blue screen. In a similar manner, renowned producer Jan Bang makes music with a strong cinematic flair that functions as a soundtrack ...

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8

Live Review

Punkt Festival 2013

Read "Punkt Festival 2013" reviewed by John Kelman

by John Kelman

Punkt FestivalKick Kristiansand, Norway September 6-8, 2013 Punkt is back. Three simple words with greater significance. While the annual festival, which has made its name on the strength of two additional words--Live Remix--had an eighth edition in 2012 that, on paper, should have been nothing short of spectacular, it was ultimately not just disappointing but, for longtime attendees, something that actually engendered real anger. The reasons were two-fold: first, invited festival curator Brian Eno--a ...

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9

Extended Analysis

Jan Bang: Narrative From The Subtropics

Read "Jan Bang: Narrative From The Subtropics" reviewed by Henning Bolte

by Henning Bolte

For Norwegian electronic musician Jan Bang, the studio is no longer a perfectly isolated space to assemble and produce fictitious beautiful sounds--a boundary he has long since transcended. He not only brought studio equipment and techniques to the performing stage but he also started using them as tools in live improvisation. Together with fellow musician and companion Erik Honoré he established the Punkt-praxis of immediate live remix of musical performances by another (group of) musician(s). His approach has increased the ...

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7

Album Review

Jan Bang: Narrative from the Subtropics

Read "Narrative from the Subtropics" reviewed by John Kelman

by John Kelman

There are times when it seems everything that has come before suddenly coalesces, reaches critical mass and engenders near-exponentially increased success and opportunity. For Jan Bang and Erik Honoré, their Punkt live remix festival has evolved, since its early inception in Kristiansand, Norway, into a musical aesthetic brought to other festivals like Mannheim's Enjoy Jazz and Estonia's Jazzkaar. In nine years it's become a multinational event of world renown, its ever-expanding “Punkt Family" including a network of musicians that has-- ...

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4

Album Review

Jan Bang / Erik Honore / Gaute Storaas / Arve Henriksen: Knut Hamsun's Victoria

Read "Knut Hamsun's Victoria" reviewed by John Kelman

by John Kelman

Given the cinematic nature of albums like ...and poppies from Kandahar (SamadhiSound, 2011), Uncommon Deities (SamadhiSound, 2012) and Cartography (ECM, 2008), it should come as no surprise to find trumpeter/vocalist Arve Henriksen and electronic sound sculptors/Punkt Festival Artistic Directors Jan Bang and Erik Honoré collaborating on a film soundtrack, in this case Norwegian director, playwright and novelist Torun Lian's screen adaptation of fellow Norwegian and Nobel Prize laureate Knut Hamsun's 1898 novel, Victoria. Just released in March, 2013, the film ...

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