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Jazz Articles about Ido Meshulam

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Album Review

Mark Masters Ensemble: Dance, Eternal Spirits, Dance!

Read "Dance, Eternal Spirits, Dance!" reviewed by Jack Bowers


In 2023-24, the celebrated arranger Mark Masters led his superb southern California-based ensemble into studios to record a pair of tribute albums. The first, Sam Rivers 100, was dedicated to the music of the late saxophonist on the one hundredth anniversary of his birth; the second, Dance, Eternal Spirits, Dance!, to that of another renowned saxophonist, Billy Harper, who is not only very much alive at age eighty-two but serves as guest soloist on both recordings. Unlike ...

4
Album Review

Adam Schroeder & Mark Masters celebrate Clark Terry: CT!

Read "CT!" reviewed by Pierre Giroux


In jazz, where the past intertwines with the present and the future, few figures were as influential as the legendary trumpeter Clark Terry. During his playing career, he developed a creative, bouncy style with an irrepressible rhythmic verve that was entirely his own. The album CT! with baritone saxophonist Adam Schroeder and arranger Mark Masters serves as a heartfelt homage to this jazz icon, presenting fresh and invigorating arrangements of 13 Clark Terry originals skillfully performed by a 12-piece ensemble. ...

6
Album Review

Dave Slonaker: Convergency

Read "Convergency" reviewed by Richard J Salvucci


In December 1910, Virginia Woolf once observed, human character changed and, along with it, so did everything else. Politics, society, religion, sex, all of it, she thought, would leave the ancien regime behind. And, to a point, she was correct. Within a few years, the old world was gone, swept away by war and revolution. It was not coming back. Ever. Somehow, listening to the marvelous musical products of modern big bands, Woolf seems oddly relevant. The level ...

45
Album Review

Dave Slonaker Big Band: Convergency

Read "Convergency" reviewed by Jack Bowers


While big-band albums generally differ, sometimes widely, in tone and temperament, there are definitive criteria by which every one may be evaluated--arrangements, performers, sound quality, sequencing and, above all, the elusive but imperative swing quotient. Dave Slonaker checks all those boxes and more on Convergency, a superlative successor to his excellent Grammy-nominated debut album, Intrada, released in 2013. To begin with, Slonaker, best known as a film and television composer, is an excellent big-band writer and arranger, ...

9
Album Review

Dave Slonaker Big Band: Convergency

Read "Convergency" reviewed by Troy Dostert


Composer/conductor Dave Slonaker probably won't qualify as “prolific," at least based on recorded output alone, as he spends a lot of his time behind the scenes in film and television work—but one must appreciate the level of craftsmanship that he brings to his big band projects. His debut release, Intrada (Origin Records, 2014), received a well-earned Grammy nomination, and his sophomore effort is no less accomplished, with the well-designed compositions and outstanding ensemble work that justify all the attention it ...

2
Album Review

Matt Gordy: Be With Me

Read "Be With Me" reviewed by Richard J Salvucci


There is an expression of high regard for playing, “in the tradition," which basically means, yeah, that is jazz, music of the highest order. Matt Gordy's “Be With Me" is particularly arresting because it is in the tradition, but neither a recreation nor an exercise in nostalgia. Everyone from Charlie Christian to Modern Jazz Quartet has played “Topsy" (1937) in one form or another. It lends itself to multiple blues changes and swing to boppish solos, all of ...

31
Album Review

The Matt Gordy Jazz Tonite Sextet: Be With Me

Read "Be With Me" reviewed by Jack Bowers


In 2006, drummer Matt Gordy heeded the mandate to “go west, young man," moving from Boston to Los Angeles, while he was still “young at heart," and quickly becoming a mainstay of the local scene, after years of success as a jazz and classical drummer in New England, and even with the Maracaibo, Venezuela, Symphony Orchestra, where he spent nine years as chief percussionist. After fifteen years gigging in Los Angeles, Gordy decided it was time to record his first ...


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