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Jazz Articles about Hugh Ragin


Album Review

Hugh Ragin: Revelation

Read "Revelation" reviewed by Jim Santella

With his virtuosic quartet in a session of his own compositions, trumpeter Hugh Ragin retains the tradition of jazz history while forging ahead in an avant-garde direction. The quartet lays down a heavy, walking bass foundation and a constant, surrounding, drum texture over which trumpet and tenor saxophone explore. Ragin's trumpet tone employs an edge that keeps his audience off- kilter throughout. Similarly, Assif Tsahar's saxophone cries come spontaneously, and hold a dramatic spirit to the music. Together, the four ...


Album Review

Hugh Ragin: Revelation

Read "Revelation" reviewed by AAJ Staff

Houston-born and Colorado-based trumpeter Hugh Ragin long ago grasped the essential connections between modern jazz sophistication and soulful energy, but he has never articulated them as clearly and comprehensively on record as on Revelation. Ragin has been responsible for a recent string of releases on Justin Time, in addition to his recognized association with David Murray. He's joined on this all-original program by multi-reed player Assif Tsahar (on whose Hopscotch label he released Sound Pictures for Solo Trumpet two years ...


Album Review

Hugh Ragin: Revelation

Read "Revelation" reviewed by John Kelman

While he has recorded less frequently as a leader than some his age, trumpeter High Ragin's career as a music educator in Denver, Colorado certainly hasn't prevented him from wider exposure with a variety of artists including Roscoe Mitchell, David Murray and, oddly enough, even Maynard Ferguson. But it is with the Creative Music Studio in the '70s that he whet his musical teeth and, consequently, his musical affiliation with the Afro-centric concepts of the Art Ensemble of Chicago will ...


Album Review

Hugh Ragin: Feel The Sunshine

Read "Feel The Sunshine" reviewed by Jim Santella

Hugh Ragin's title track reminds us that music communicates expression. His passion shines through warmly. By adopting the classic jazz quintet format for his third Justin Time release, the trumpeter has retained a mainstream sensibility. However, his adventurous nature remains evident from start to finish. Standards and originals swing, while introducing flights of fancy throughout. The ensemble interprets with clarity and a natural ease. Their session combines avant-garde thrills with picturesque impressionism, sullen blues and joyful swing. Ragin's trumpet attains ...


Album Review

Hugh Ragin: Fanfare & Fiesta

Read "Fanfare & Fiesta" reviewed by Jim Santella

Recorded last June, this session moves in three distinct directions. Two cameo appearances by Clark Terry invite a lighthearted swing element. The title track moves toward creative improvised music, and yet is still in line with the mainstream. The remainder of the album invites unpredictable behavior through composed counterpoint and exciting solo performances.

Hugh Ragin, 50, cites the World Saxophone Quartet as his inspiration. A varied career has allowed the trumpeter to befriend different musical themes. With David Murray, he's ...


Album Review

Hugh Ragin: Fanfare & Fiesta

Read "Fanfare & Fiesta" reviewed by AAJ Staff

Until 1999, Hugh Ragin was vastly under-recorded. Appearing sporadically with David Murray, Anthony Braxton, D.D. Jackson or Roscoe Mitchell, Ragin inserted his individualistic style into his sounds, provoking an undercurrent of demand for more fully realized work. Justin Time followed up on Ragin's promise when it released An Afternoon In Harlem last year, a message-laden project that combined the energy of Harlem with Sun Ra-inspired spirituality and ruminations about escapes from slavery.On Fanfare & Fiesta, messages are laid ...


Album Review

Hugh Ragin: An Afternoon in Harlem

Read "An Afternoon in Harlem" reviewed by AAJ Staff

Trumpeter Hugh Ragin made this recording in late '98 in a (mostly) quartet format featuring pianist Craig Taborn, bassist Jaribu Shahid, and drummer Bruce Cox. The tunes, all Ragin originals, range from the sauntering bluesy strut of the title track to fast bebop to free jazz, concluding with a Sun Ra-inspired avant garde accompaniment to poetry read by Amiri Baraka. His liner notes establish the suite as a celebration of life in Harlem.

Ragin obviously plays the starring role here: ...


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