Home » Jazz Articles » Greg Osby

Jazz Articles about Greg Osby


About Greg Osby

6

Album Review

Doug Webb: The Message

Read "The Message" reviewed by David A. Orthmann

by David A. Orthmann

The trappings of The Message, tenor saxophonist Doug Webb's eleventh release for Posi-Tone Records, are perhaps recognizable to anyone with an interest in jazz conventions. All hands, except for drummer Charles Ruggiero, contribute at least one composition. While some are more adventurous (tenor saxophonist Bob Reynolds' “Where Did You Come From?," and alto saxophonist Greg Osby's “Nekide") than others (Webb's “Caught In The Webb" and organist Brian Charette's “Bonnie Lass"), there is nothing here that pushes the envelope or prompts ...

Continue Reading...

15

Album Review

Kelvin Sholar Trio: Rites of Fire

Read "Rites of Fire" reviewed by Franz A. Matzner

by Franz A. Matzner

A syncretic symphony, Kelvin Sholar's Rites of Fire is the product of 15 years of meditation on the history and esoteric mechanisms of musical expression. The richly satisfying album is unbounded by anything other than Sholar's relentless commitment to self-discovery. Sholar's own resurrection from clinical death to artistic and spiritual rebirth is embedded in the core of the multi-movement composition, which neither defies nor accepts conventional barriers. The piece flows from a space of integration, merging a complex network of ...

Continue Reading...

3

Album Review

Benjamin Boone: The Poetry of Jazz

Read "The Poetry of Jazz" reviewed by Duncan Heining

by Duncan Heining

Lenny Bruce might have skewered it with his skit, “Psychopathia Sexualis." Mike Myers' mildly misogynist poet might have parodied it in the movie I Married an Axe Murderer (1993). It has been dismissed as a late-fifties fad associated with the Beats. And, yet, the desire of poets and jazz musicians to combine their art forms has proven surprisingly durable. Sometimes, the practice is just plain embarrassing and made worse by the reality that those involved, like the man ...

Continue Reading...

3

Album Review

Benjamin Boone: The Poetry of Jazz

Read "The Poetry of Jazz" reviewed by Mark Corroto

by Mark Corroto

Benjamin Boone's The Poetry Of Jazz could easily have been titled The Jazz of Poetry because of the almost interchangeable nature of the terms. The composer/saxophonist's vision to put music to the U.S. Poet Laureate Philip Levine's prose is a reminder to listeners that jazz was birthed by the common man, and is not to be kept in an ivory tower.Both professors at Cal State Fresno, Levine and Boone had performed together before, and the saxophonist had used ...

Continue Reading...

3

Album Review

Benjamin Boone: The Poetry of Jazz

Read "The Poetry of Jazz" reviewed by Mark Corroto

by Mark Corroto

Benjamin Boone's The Poetry Of Jazz could easily have been titled The Jazz of Poetry because of the almost interchangeable nature of the terms. The composer/saxophonist's vision to put music to the U.S. Poet Laureate Philip Levine's prose is a reminder to listeners that jazz was birthed by the common man, and is not to be kept in an ivory tower. Both professors at Cal State Fresno, Levine and Boone had performed together before, and the saxophonist had ...

Continue Reading...

22

Interview

Greg Osby: Saxophone “Griot”

Read "Greg Osby: Saxophone “Griot”" reviewed by Victor L. Schermer

by Victor L. Schermer

The griot is a West African historian, storyteller, praise singer, poet and/or musician, a repository of oral tradition who is often seen as a societal leader. Saxophonist Greg Osby recently was excited to meet some griots on his travels. While he is originally from St. Louis, he himself is a griot in many senses of the word. As Peter Margasak said in Jazz Times as early as 2000, “Greg Osby has quietly become one of the most potent, complete and ...

Continue Reading...

30

Record Label Profile

Inner Circle Music: Creativity and Community Spirit

Read "Inner Circle Music: Creativity and Community Spirit" reviewed by Jakob Baekgaard

by Jakob Baekgaard

The music industry today is defined by a strange paradox: there are too few labels and too many. On the one hand, the major labels have merged and sign less jazz artists, meaning the dream of a company with plenty of promotional muscles becomes harder to achieve. On the other hand, more and more musicians have started releasing their own music, but their labels are often one-man operations with none of the benefits that come with a true label: a ...

Continue Reading...

Engage

Publisher's Desk
Radio & Podcast News plus How AAJ Works
Read on...
The place for jazz polls and surveys!
Reader Polls
Which jazz venues deserve to be on top?
Cast Your Vote Today
The Big Question
Which jazz records in your collection are most sentimental to you and why?
Post Your Comment

Get more of a good thing!

Our weekly newsletters highlight our top stories, top album reviews, website news, free songs, radio & podcast shows, news, and upcoming jazz events near you.

Install All About Jazz

iOS Instructions:

To install this app, follow these steps:

All About Jazz would like to send you notifications

Notifications include timely alerts to content of interest, such as articles, reviews, new features, and more. These can be configured in Settings.