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Bill Frisell: Good Dog, Happy Man
by Douglas Payne
Every note Bill Frisell plays--or suggests--offers an impressionistic soundtrack of the American vernacular. It is jazz only in the way improvisation is a reflection of sensibilities. But Frisell's music is really not just jazz. It swings over a wide swath of American musical forms: jazz, rock, grunge, blues, country, folk, bluegrass, even commercial orchestration. Call it a sort of sound Americana": peculiar, individual and unusually compelling. Good Dog Happy Man ideally documents another set of Frisell's colorful, commanding ...
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