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Jazz Articles about George Mraz


About George Mraz

49

Album Review

Pierre Favre: Bird Food

Read "Bird Food" reviewed by Glenn Astarita

by Glenn Astarita

Captured live at Radio Studio Zurich in 1968, this is the earliest known recording of the Pierre Favre Trio, dormant for more than half a century until Favre and trombonist Samuel Blaser unearthed it while sorting through forgotten tapes. That it survived at all feels faintly miraculous, the jazz equivalent of finding cash in an old winter coat. The lineup now reads like a rough sketch of European free jazz before the paint dried. Pierre Favre anchors the ...

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21

Liner Notes

John Abercrombie: The First Quartet

Read "John Abercrombie: The First Quartet" reviewed by John Kelman

by John Kelman

With the release of Arcade (1979), Abercrombie Quartet (1980) and M (1981), John Abercrombie's entire ECM discography as a leader is finally available on CD. Looking back at these albums and their position in his oeuvre, they are revealed as seminal documents of Abercrombie's arrival as a distinctive writer, improvising guitarist and bandleader, delivering on the promise of his first two ECM recordings under his own name, Timeless (1975) and Characters (1977). Abercrombie's subsequent career has, in many ways, been ...

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16

Album Review

John Abercrombie: The First Quartet

Read "The First Quartet" reviewed by Mark Sullivan

by Mark Sullivan

In many ways guitarist John Abercrombie's recordings with his first quartet represent his real coming of age, as a jazz guitarist, composer, and bandleader. He already had a substantial ECM discography behind him, including his fusion debut Timeless (1975); the overdubbed solo record Characters (1977); the first trio with Dave Holland and Jack DeJohnette, the self-titled Gateway (1975); and his first duet record with acoustic guitarist Ralph Towner, Sargasso Sea (1976). But many of these recordings (and others ...

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27

Album Review

John Abercrombie: The First Quartet

Read "The First Quartet" reviewed by Karl Ackermann

by Karl Ackermann

In his more than thirty year career--almost exclusively with ECM--guitarist John Abercrombie has more often than not confined his formation to smaller groups ranging from solo through quartet. He has been less restricted in the style of music he creates and that diversity is demonstrated with mixed results on The First Quartet. The albums included in the three-disc set are remastered from original ECM analog recordings of Arcade (1979), Abercrombie Quartet (1979) and M (1981). All but unavailable in CD ...

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336

Album Review

Yelena Eckemoff: A Touch of Radiance

Read "A Touch of Radiance" reviewed by Tyran Grillo

by Tyran Grillo

It's fulfilling to hear an artist evolve. In this regard, Yelena Eckemoff has heeded callings definable only by the language of the spirit. The Russian-born pianist and composer comes from a rigorous classical background, and within those parameters has shaped a quiet yet assured corpus of jazz albums stretching back to 2006's The Call. Since then she has assembled numerous ad hoc bands, caressing ebonies and ivories alongside Arild Andersen, Marilyn Mazur, Peter Erskine, and many other established names in ...

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374

Album Review

Yelena Eckemoff: A Touch of Radiance

Read "A Touch of Radiance" reviewed by Greg Simmons

by Greg Simmons

Trained in an intensive ten-year classical piano program at Moscow's Gnessins School, and after quietly making records for over two decades, Russian native Yelena Eckemoff has been transitioning to a form of hybrid, classically informed improvisation with some exceptional results. 2010's Cold Sun, a trio featuring the exquisite drumming of Peter Erskine, was a tremendous musical statement for a leader making an early foray into improvisation and a record that is well worth seeking out to this day.

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505

Album Review

The Jan Hammer Trio: Maliny Maliny

Read "Maliny Maliny" reviewed by John Kelman

by John Kelman

Sometimes plenty can happen in three years; sometimes plenty can happen in a matter of days. When Jan Hammer recorded Maliny Maliny at a club in Munich on August 30, 1968, the keyboardist had no idea that, in three short years he'd be at the top of the jazz heap as founding member of one of fusion's most significant groups, guitarist John McLaughlin's Mahavishnu Orchestra. He did know, within 30 days of this live recording--when the young Czechoslovakian moved to ...

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