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Freddie Hubbard: On The Real Side
by Graham L. Flanagan
When Freddie Hubbard passed away in December, 2008 at 70, the jazz world lost one of the last true legends of the hard-bop movement. His prolific career spanned 50 years, most of it as a leader on historic dates for Blue Note, CTI and Columbia. He also played on classic sessions by Wayne Shorter, Herbie Hancock, Art Blakey, John Coltrane, and many more. When he wasn't battling health issues, he continued to play live dates until and ...
Continue ReadingMeet Freddie Hubbard
by Craig Jolley
From the 1995-2003 archive: This article first appeared at All About Jazz in May 2001. New Colors (Hip Bop Records)I met David Weiss a couple of years ago. He's from North Texas State. He had a rehearsal band [New Jazz Composers Octet] in New York, and he had been writing out a lot of my compositions and arranging them. He said he'd like to get together and have me play some of my material with the group. ...
Continue ReadingFreddie Hubbard: Stardust & Clubhouse
by Stuart Broomer
John Coltrane Stardust (RVG Edition) Prestige-Concord 2007 Dexter Gordon Clubhouse Blue Note 2008
Freddie Hubbard is part of the most concentrated group of trumpet talents in jazz history, born on Apr. 7th, 1938, just five days after Booker Little and three months before Lee Morgan. His brassy sound, confident attack and ...
Continue ReadingAndrew Hill: Compulsion!!!!!
by AAJ Italy Staff
Finalmente la Blue Note si è decisa pubblicare questo album, tra i più visionari di Hill e del jazz degli anni ’60. Sembra incredibile, ma ci ha messo quarant’ anni la prestigiosa label discografica a tirar fuori dai suoi archivi questo capolavoro, su cui è gravato sin d’ora un silenzio inspiegabile. Importanti e tutti degni di nota sono i principi formali, di organizzazione sonora e disposizione timbrica, che sono alla base di questo stellare, stratosferico progetto: metri oscillanti ad libitum; ...
Continue ReadingFreddie Hubbard: Super Blue
by Tom Greenland
Freddie Hubbard's Super Blue, finally available on CD, is a minor classic--overlooked, perhaps, because it lies in the long shadow of the titan trumpeter's earlier output, or because it was recorded in the middle of a lackluster phase at Columbia. But Blue is a late-summer sleeper. Reassembling some of the best talent from his CTI dates--Joe Henderson (tenor), Hubert Laws (flute), Ron Carter (bass), Jack DeJohnette (drums) and George Benson (guitar), plus Kenny Barron (acoustic and electric ...
Continue ReadingFreddie Hubbard: Straight Life
by Matt Leskovic
Creed Taylor's genre-bending CTI Records held the precarious position as the dominant jazz label during the 1970s--the decade during which the music died. CTI was a contradiction in itself; it had as much to do with the promotion of straight-ahead, hard-swinging jazz as with spawning smoothed-out, easy-listening records that bordered on muzak. For every album as classy as Jim Hall's Concierto (CTI, 1975) there is a dud like Bob James's BJ4 (CTI, 1977), which comes perilously close to disco. The ...
Continue ReadingDuke Pearson: The Right Touch
by AAJ Italy Staff
Solista di secondo piano, dietro i numerosi mostri sacri che negli anni sessanta popolavano la scuderia Blue Note, Duke Pearson ha spesso fornito a questi ultimi il proprio contributo di pianista e soprattutto di arrangiatore. Diventato per un certo periodo produttore della prestigiosa etichetta, ha inciso una manciata di album a proprio nome che ne confermarono lo stile pianistico discreto, ideale per l’accompagnamento, e la vena di arrangiatore brillante e disinvolto. In questo The Right Touch, inciso nel settembre 1967 ...
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