Jazz Articles about Freddie Hubbard

About Freddie Hubbard

Radio & Podcasts

Zev Feldman: Guardian Of Jazz Legacies

by Stephen Braunginn
March 29, 2025

Zev Feldman, co-president of Resonance Records and a highly accomplished jazz producer and historian, delves into the process of discovering and curating legacy jazz music, including the importance of identifying great recordings, obtaining permissions, and creating captivating album packages. Feldman also highlights the significance of Record Store Day in bringing these projects to life and recounts his experiences working on specific projects, such as those featuring Charles Mingus, Freddie Hubbard, Kenny Dorham, and Bill Evans. Playlist Freddie Hubbard ...

Album Review

Ornette Coleman: Free Jazz to Ornette! Revisited

Read "Free Jazz to Ornette! Revisited" reviewed by Alberto Bazzurro

by Alberto Bazzurro
October 14, 2024

Che cosa si può dire ancora di un'opera che ha stravolto il corso del jazz, uno di quegli snodi dopo i quali--qui fin dal titolo--nulla può essere più come prima? Punti di svolta decisivi e ineludibili che cambiano il corso di un'arte, pietre miliari come Les Demoiselles d'Avignon in pittura, l'Ulysses di Joyce in letteratura, o più specificatamente in poesia Un coup de dés di Mallarmé? Nulla, appunto, perché tutto dev'essere per forza di cose già stato detto e scritto, ...

Album Review

Ornette Coleman: Free Jazz To Ornette! Revisited

Read "Free Jazz To Ornette! Revisited" reviewed by John Eyles

by John Eyles
August 2, 2024

For ezz-thetics' revisited series' fourth Ornette Coleman album, the label has ventured back further than any of its previous Coleman albums, to New York City in December 1960 and January 1961. Recorded at A&R Studios on Wednesday December 21st 1960 from 8pm to 12.30am, the Free Jazz session produced two pieces, the thirty-seven minute “Free Jazz" itself, which was issued in September 1961 on an Atlantic album entitled Free Jazz: A Collective Improvisation By The Ornette Coleman Double Quartet, and ...

Liner Notes

CTI Acid Jazz Grooves by Various Artists

by Arnaldo DeSouteiro
June 19, 2024

The CD you are holding in your hands is a very special compilation. It's the celebration of CTI as one of the most “sampled" labels on Earth! For the past ten years, many CTI tracks have been cut up, sampled, scratched and looped to create new songs for a new audience. Many of the selections on this album (all of them produced by Creed Taylor and engineered by Rudy Van Gelder) represented the basic inspiration and major influence in the ...

Album Review

Eric Dolphy: Outward Bound To Out To Lunch Revisited

Read "Outward Bound To Out To Lunch Revisited" reviewed by Stefano Merighi

by Stefano Merighi
May 10, 2024

Il valore incalcolabile dell'opera di Eric Dolphy sta passando un po' in secondo piano nel nostro tempo di ascolti rapidi e deconcentrati. Ben venga allora questa edizione, anche se rimane la perplessità dell'accorpare due dischi che pochissimo hanno in comune e che sono comunque ancora a disposizione negli ottimi originali. Dal 1960 al 1964 (anno della scomparsa), Dolphy ha attraversato un mondo sonoro denso, sfaccettato, rimanendo se stesso sia accanto a Mingus che a Russell, sia nelle sabbie ...

Album Review

Alan Shorter: Mephistopholes To Orgasm Revisited

Read "Mephistopholes To Orgasm Revisited" reviewed by Chris May

by Chris May
January 22, 2024

It is often said of a musician, be they alive or no longer with us, that they deserve to be better known. This is emphatically true of the wayward trumpeter and composer Alan Shorter, who was overshadowed during his lifetime by his brother, Wayne Shorter, and who continues to be passed over today in 2024. Some responsibility for his obscurity lies with Alan Shorter himself. Known as Doc Strange to his teenage schoolmates in Newark, New Jersey, ...

Album Review

Freddie Hubbard: One Of A Kind

Read "One Of A Kind" reviewed by Richard J Salvucci

by Richard J Salvucci
August 26, 2023

It is something of a challenge to review Freddie Hubbard's work from the early 1980s. He had changed direction in the early 1970s with Red Clay (CTI, 1970) moving toward soul-jazz and jazz-rock, although anyone listening to Hubbard's playing would hear his standard vocabulary of licks. Some listeners approved; some listeners did not; and some simply labelled him a sell-out. This certainly was not the Hubbard of Blue Note, and while he returned to playing straight ahead in the mid-1980s ...